On Thursday I toured Louisa May Alcott’s Orchard House. I was anxious to see the artifacts pictured in The Annotated Little Women, edited by John Matteson and took a vacation day to see them as November can get swallowed up in holiday preparations.
If you live anywhere near Concord and can get to this exhibit, do so. The artifacts are on display only through the month of November.
I made a complete list of the artifacts on display. I wish I could show you pictures but taking photos is prohibited at Orchard House; you will need to get a copy of The Annotated Little Women.
In the kitchen:
- First editions of Hospital Sketches and Little Women
- Original photos of the Hosmer cottage known as Dove Cote and Orchard House (the one with the unique fence built by Bronson).
In the dining room:
- A quote from Louisa, handwritten, circa 1869
- An autographed dance fan including the autographs of Louisa, May and Ellen Emerson.
In the parlor:
- Three Pickwick Club badges
- A display dedicated to Anna and John including the original marriage certificate and photographs
In Louisa’s room:
- Louisa’s homeopathic medicine kit (including a list of ailments treated by the medicines)
- A lock of Louisa’s hair
- Sketches of Louisa by May, one familiar (“The Golden Goose”), one not (she has a cat at her feet)
- A photo of Alf Whitman sitting on the half moon desk
- Original versions of publicity photos of Louisa circa 1870, 1875, 1880, and two from 1887.
- An ad for Little Men
- A sculpture by Daniel Chester French of two owls cuddling–this artifact was acquired just three weeks ago.
In May’s room:
- Tracings May did of drawings by John Flaxman circa 1857; she then copied the tracings around the moldings of the windows
- Original watercolor of Ernest Nieriker by May in their Meuden salon – the color was especially brilliant.
- Original photograph of Alice Bartlett and May.
In the hallway under Lulu’s portrait:
- An original copy of Studying Art Abroad and How to Do It Cheaply by May Alcott Nieriker
In Bronson and Abba’s room:
- Lizzie’s sewing kit, given to her by her father on her twenty-first birthday in 1856, It was surprisingly compact and featured a lovely inscription by Bronson.
- A little book of Abba’s “Recipes and Simple Remedies” plus two original photos, one I had not seen before taken in 1850 but it is so small that it would be impossible to reproduce. The other was familiar, circa 1858.
- Sketches of Frederick Pratt by May, one on a rocking horse and the other, playing Lizzie’s melodeon.
- Small photos of John Pratt as a baby and toddler
- Original photo of Lulu in the carriage
The best was saved for last–in Bronson’s study:
- May’s original sketch of Bronson
- Various original photos of Bronson
- Original lithograph of the Temple School in Boston
- And a display containing:
- A lock of Lizzie’s hair with a tiny inscribed note in her perfect penmanship
- Another lock of Lizzie’s combined with a lock of Bronson’s
- Lizzie’s New Testament, an exquisite tiny book which originally belonged to Bronson–he gave it to Lizzie and then it was bequeathed to May.
- Bronson’s copy of The Pilgrim’s Progress, also a tiny book (though a little bigger than the New Testament and a lot thicker) with beautiful engraving
I was grateful for being in a small group so that I could examine each artifact freely. My only wish is for the lighting to have been better as it was a cloudy day and I wanted to see every detail (how I wish I had had my super duper reading glasses!).
I must say that all the different artifacts belonging to Lizzie that were given to her by her father (and especially the two locks of hair entwined) told me much about the special relationship between Bronson and his Psyche.
Don’t miss this great exhibit!
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