Recent discovery of photos of Anna Alcott and John Pratt covered in the Boston Globe

I am pleased to announce that the Boston Globe has covered the recent discovery of previously unpublished photos of Anna Alcott Pratt and John Bridge Pratt which I posted on this blog. Here you will meet Mrs. Donna Keeler, the owner of the photo album, and get to see the album page with John and Anna.

The print version of the article is out in Monday’s paper (December 4, 2017); you can read the online version here. Continue reading

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Important discovery of previously unpublished photos of Anna Alcott Pratt and John Bridge Pratt

Read the Boston Globe story about this discovery,
first revealed on this blog.

I am thrilled to be able to reveal, for the first time, previously unknown photos of Anna Alcott Pratt and John Bridge Pratt to you. Continue reading

Origin of the P.C. and the P.O. from Little Women — it started earlier than you think.

katherine-anthonyResearch has a way of taking you places you never thought to go. I recently rereaded a 1937 biography of Louisa May Alcott by Katherine Anthony (of which I will write about in a future post) and started to wonder why so much came out about the Alcott family that year.

An era of the Alcotts

Odell Shepherd’s book on Bronson Alcott was also published in 1937. It then occurred to me that both books came out just before the fiftieth anniversary of the deaths of Louisa and Bronson, who died only a few days apart from each other after Bronson mysteriously invited Louisa to follow him “up” during their last visit together.

Happy Birthday

That led me to look again at the various artifacts I saw at The Wayside in Concord (specifically the North Bridge Center) where there were several newspaper accounts dating from the same period. The centenary of Louisa May Alcott’s birth was celebrated in Concord in 1932:

from the The Harriet M. Lothrop Family Papers (1831-1870) (Minuteman National Park, Concord, MA)

from the The Harriet M. Lothrop Family Papers (1831-1870) (Minuteman National Park, Concord, MA)

A very special guest

And in 1935 when the Louisa May Alcott Memorial Association gathered for its annual meeting, they announced the visit during that year of a particular VIP:

The Harriet M. Lothrop Family Papers (1831-1870) (Minuteman National Park, Concord, MA)

The Concord Journal, December 5, 1935, from The Harriet M. Lothrop Family Papers (1831-1870) (Minuteman National Park, Concord, MA)

Louisa as micro-journalist

And, in the midst of these newspaper clippings, I discover a small article which sheds light on the origins of the Pickwick Portfolio from Little Women (aka, The Olive Leaf in real life):

The Harriet M. Lothrop Family Papers (1831-1870) (Minuteman National Park, Concord, MA)

The Harriet M. Lothrop Family Papers (1831-1870) (Minuteman National Park, Concord, MA)

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To my delight and surprise, the book referenced, Lilliputian Newspapers by James D. Henderson, was available for download from archive.org. Thus I was able to read firsthand about the origins of “The P.C. and the P.O.”

Creating a diversion

Those who have familiarized themselves with Louisa’s life recall the time in Boston when the sisters were in their teens and twenties when the family lived in acute poverty. To keep her family in good cheer, Louisa created a newspaper in 1849 (when she was seventeen) called The Olive Leaf, in honor of a favorite periodical, The Olive Branch. There were several issues, all available at the Houghton Library at Harvard University — the first issue is replicated in its entirety in Chapter 10 of Little Women.  Each sister took the role of a Dickensian character from The Pickwick Papers:

  • Anna/Meg as Samuel Pickwick
  • Louisa/Jo as Augustus Snodgrass
  • Lizzie/Beth as Tracey Tubman
  • May/Amy as Nathaniel Winkle.

Earlier origin

In Lilliputian Newspapers, James D. Henderson reveals that in fact, Louisa created the newspaper when she was twelve in 1844. Henderson writes, “The Pickwick was a manuscript newspaper, in size 10 and 8 inches, and comprised four pages, two columns to a page, entirely written by hand.” (pg. 60, Lilliputian Newspapers). Two issues were published between 1844 and 1845 when the family lived at Still River and Concord. Louisa wrote the early issues but when it changed to The Olive Leaf, all four sisters contributed.

Henderson noted the Weekly Report of their behavior (from “very good” to “good” to “middling” to “bad”) and this invitation:

“THE DUSTPAN SOCIETY will meet on Wednesday next, and parade in the upper story of the Club House. All members to appear in uniform, and shoulder their brooms at nine precisely.” (Ibid, pgs. 62-63)

Ode to Marmee

If you are lucky enough to see or obtain a copy of Lilliputian Newspapers, you will see a reproduction of the original copy of The Pickwick, found in the pocket of the inside of the back cover. The reproduction was made possible by Miss Beatrice Gunn, formerly of the Youth’s Companion, a magazine to which Louisa often contributed. The Concord Journal reprinted the poem featured in the “Poet’s Corner:”

The Harriet M. Lothrop Family Papers (1831-1870) (Minuteman National Park, Concord, MA)

The Harriet M. Lothrop Family Papers (1831-1870) (Minuteman National Park, Concord, MA)

James Henderson’s book was published in 1936. Lots of good stuff during the 1930’s. I look forward to sharing with you soon about Katherine Anthony’s biography which is surprisingly frank and objective.

 

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Louisa May Alcott is My Passion: The Podcast! Episode Two: Wrap-up of the 2016 Summer Conversational Series

“It’s amazing how lovely common things become, if one only knows how to look at them.” (from “Marjorie’s Three Gifts,” 1877)

itunes graphic3Welcome to the second episode of Louisa May Alcott is My Passion:
The Podcast!

During the next thirty six minutes I will give you an overview of the recent Summer Conversational Series, “‘Finding Beauty in the Humblest Things’ — Louisa May Alcott’s Literary Vision” which took place July 10-14 at Louisa May Alcott’s Orchard House. You’ll get to hear from many of the speakers and hear a summary of their presentations. Here on the show notes I have links to my notes so that you can get all the details

And now, on with the show!

Cathlin Davis, PhD
“Bringing Beauty to the World: Youthful Reformers in Louisa May Alcott’s Juvenile Fiction”

Dr. Cathlin Davis

Dr. Cathlin Davis

Dr. Davis, Full Professor in the College of Education at California State University-Stanislaus, has been presenting for over ten years at the Summer Conversational Series. She likely has the largest collection of books by Louisa May Alcott (many first editions) and is the go-to person for information and analysis of Alcott’s juvenile works.

On Monday she demonstrated how Alcott brought beauty to the world through her children’s stories. She covered three commonly used themes through a series of stories:

  • Kindness to animals (“Nelly’s Hospital,” “Old Major,” “Baa! Baa!,”)
  • Kindness to each other, rich and poor (“May Flowers,” “Roses and Forget-Me-Nots,”)
  • Sharing Christmas joy (“How It All Happened,” “The Little Red Purse” and “Kate’s Choice.”)

Dr. Davis introduced her session by reading portions of a children’s picture book by another author, Barbara Cooney called Miss Rumphius which demonstrates the theme beautifully. You can watch it here on YouTube:

Download my notes

All stories are available through Google Books or Project Gutenberg.

Elise Hooper:
“Extraordinary Beauty in an Ordinary World: May Alcott and Women’s Painting during the 19th Century”

Elise Hooper

Elise Hooper

Elise Hooper is a teacher of history and the author of The Other Alcott, a novel about May Alcott Nieriker, due for publication in the Fall of 2017.

Hooper traced the life of May Alcott Nieriker, citing the influence of her parents. Although May lacked a thorough formal education, her home encouraged creativity, enthusiasm and beauty, all of which drove her in her ambition to become a professional artist.

Hooper explained the need for May to seek her training in Europe as America was in its infancy with regards to art. With the exception of a few prominent teachers (among them Dr. William Rimmer and Stephen Salisbury Tuckerman, both of whom instructed May), there was no support for a professional career in art for women. Because of strong Victorian norms, it was impossible for women to receive the necessary anatomical training as that necessitated the use of nude models, male and female.

Still, Boston was more progressive in the arts than most cities and May was able to take full advantage. Once she reached Europe through the help of her famous sister Louisa, May threw herself into studies. Hooper discussed May’s success as a Turner copyist and two-time exhibitor at the Paris Salon.

Download my notes

You can find out more about The Other Alcott here.

Anne-Laure François
“A Lesson in the True Necessities and Means of Life: Louisa’s Children as Wise Seers of the Sublime in Everyday Life”

Anne-Laure François

Anne-Laure François

Dr. François is an assistant professor at Paris West University Nanterre La Défense working in both the English and Law Departments. Her doctoral dissertation offered the first detailed study in French of Louisa May Alcott’s fiction, examining Alcott’s strategy of re-writing Transcendentalism and adapting its philosophical principles to the demands of the fast-growing American literary market in the second half of the 19th Century. As an educator, she helped create an alternative high school in the South of France — a project notably based on Alcott’s “Plumfield,” the school utopia that paid homage to her father’s groundbreaking educational ideas and work.

Dr. François chose to examine a little-known short story written by Alcott in 1857 called “The Cross on the Old Church Tower.” She believes that this story foretold the type of writing that would propel Alcott to great success. It is also important to note that “The Cross on the Old Church Tower” was written during Lizzie’s last illness.

Faustian themes, a favorite of Alcott, is featured in this story and found in later works such as A Modern Mephistopheles. One of the main characters, Walter, represents Faust while the other, Jamie, is his savior through his simple and virtuous life. Walter eventually becomes a writer of love stories through Jamie’s influence. There are many parallels between “The Cross on the Old Church Tower” and the story of Beth’s death and her influence on Jo in Little Women.

Dr. François described how this story shows the depth of Alcott’s reading. She believes the story is prophetic regarding Alcott’s future as a successful writer.

You can read “The Cross on the Old Church Tower” here http://www.online-literature.com/alcott/1976/

Download my notes

Kristi Lynn Martin
“The Sacred Domestic, Memorialization, and Literary Imagination in the Alcott Sisters’ Sphere”

Kristi Lynn Martin

Kristi Lynn Martin

Kristi Martin is a registered tour guide for all the historic homes in Concord including Louisa May Alcott’s Orchard House. She is currently doing her dissertation for her PhD on literary tourism in Concord (“Creating ‘Concord: How Preservation and Tourism Transformed a New England Village into a Tourist Mecca, 1824 – 1965”).

Kristi’s specialty is the Alcott sisters and in her presentation told true stories of each sister that line up with the fictional tales of the March sisters. The Alcott sisters were known as The Golden Band by their father Bronson and he wrote beautiful sonnets for each sister. In Little Women, he is the wise and quiet leader of a bustling household of women.

Beginning with the eldest, Anna, Kristi described Anna’s love of beauty (her favorite word was “beautiful”) and used her wedding as the perfect example of Anna’s virtuous beauty. Meg March’s wedding was very similar to Anna’s right down to the grey silk dress and Lily of the Valley flowers. The simplicity of that wedding underscored the beauty that be the marriage between Anna and her John (aka Meg and John Brooke).

She highlighted Louisa’s sacrifice of her nursing service which resulted in a near fatal illness and the loss of her “one true beauty” – her long chestnut tresses. In Little Women Mr. March serves in the war and Jo sacrifices “her one beauty” impetuously to help send Marmee to his side during his recovery.

Beth’s gentle goodness and gracious death proved to be perhaps the major moral force of the novel as shown by the change in Jo after Beth dies. Kristi shared quotes from Lizzie demonstrating that the shy shadow sister in fact very much enjoyed the company of others and could have a saucy sense of humor not unlike Louisa herself!

Finally she contrasted May with Amy demonstrating that although like Amy, May grew into a gracious woman, she also took her art far beyond where Amy was able to take it.

Download my notes

A visit from Louisa May Alcott!

From left to right, Lis Adams, Education Director, and Jan Turnquist as Louisa May Alcott

From left to right, Lis Adams, Education Director, and Jan Turnquist as Louisa May Alcott

We had a surprise visit from Louisa herself! (artfully portrayed by Orchard House Executive Director Jan Turnquist) She first talked about Father and Mother and their dear friends, Emerson and Thoreau. She spoke with affection about Emerson’s daughter Ellen and how she dogged Louisa for more fairy stories. That of course, ended up with the publication of Louisa’s first book, Flower Fables.

She was “surprised” that we all knew and loved Little Women and remarked how unexpected its success was to her as both she and her publisher, Thomas Niles, thought the book “dull.”

Louisa lovingly shared the familiar story of Bronson coming home after a trip out West, covered with snow and with only one dollar in his pocket.

She shared stories about her days as a Civil War nurse and even “reunited” with a soldier she had nursed in Washington! (Bravo John Matteson for your campy performance)

She then revealed her deep dark secret: she wrote pot boilers just like Jo! She then acted out one of her most notorious women characters, devious Jean Muir of Behind a Mask.

Continuing to enact favorite characters, she showed us Sairy Gamp from a Charles Dickens story, the character she used to cheer up her dear Lizzie as well as the soldiers in the Union hospital.

Calling us friends, she confided in us how she put off annoying fans by pretending to be the Irish maid.

It was a wonderful visit!

Gabrielle Donnelly
“Castles in the Air Versus Two Inches of Ivory: A Comparison of Louisa May Alcott’s Sisters with Jane Austen’s Bennets.”

Gabrielle Donnelly, photo by Jeannine Atkins

Gabrielle Donnelly, photo by Jeannine Atkins

Two classics: Little Women by Louisa May Alcott, and Pride and Prejudice by Jane Austen – Gabrielle Donnelly is a devotee of both authors.

Having written a modern day interpretation of Alcott’s book with The Little Women Letters, Donnelly is intimately familiar with the March sisters; as a member of the Jane Austen Society, she has similar affinity for the Bennet sisters.

Listening to any presentation by Donnelly is truly an unforgettable experience with her classic London accent and dry British wit; she is a perennial favorite at the Summer Conversational Series. She traced both stories and showed great differences between the March and the Bennet families. Of course, Pride and Prejudice was written in an earlier era and Alcott’s upbringing was unusual and progressive. Comparing and contrasting these two families revealed much about Austen and Alcott as women and writers.

The crowning moment was a piece of fan fiction crafted by Donnelly where she has Elizabeth Bennet meeting Jo March (Mrs. Frederick Bhaer)!

Download my notes

Download Donnelly’s fan fiction

John Matteson
“Five at Fredericksburg: Revising What We Know about The Battle that Transformed American Culture.”

Dr. John Matteson

Dr. John Matteson

Dr. Matteson, the Pulitzer prize-winning author of Eden’s Outcasts (about Louisa and her father), also author of The Lives of Margaret Fuller, presented a double session highlighting his latest book about the Battle of Fredericksburg and its effect on American culture through five prominent people (including Louisa).

Dr. Matteson’s presentation was part book description and part writing process. As several of us are working on book projects, this part of his presentation (and the ensuing Q & A) was especially helpful.

Dr. Matteson began by sharing how his new book project (with the working title of A Worse Place than Hell, a quote taken from Abraham Lincoln) was born through a discussion with one of his editors who pushed him to think “big.” Dr. Matteson shared some of his techniques for staying on track and not becoming overwhelmed by the mountain of research he has acquired.

He then got into the meat of the book, describing first the Battle of Fredericksburg and why it was such a bloody disaster. He then introduced the five persons transformed by the war:

  • Walt Whitman – his brother’s injury in a battle caused Walt to become a volunteer nurse.
  • The Rev. Arthur Buckminster Fuller (Margaret’s brother)
  • Oliver Wendall Holmes, Jr. (future Supreme Court Justice — how his view of the law evolved)
  • John Pelham (“the blond idol of soldier-loving girls”) – John especially captivated by his photo (that’s how I felt about Lizzie when I first saw her). He was the youngest soldier to lie in state.
  • Louisa May Alcott

Download my notes

Part two of Dr. Matteson’s presentation was an encore of the presentation he made last May at the Concord Inn which you can read about in my blog post, “Finding the ‘prince of patients’—John Matteson discovers the whereabouts of John Suhre from Hospital Sketches”

Closing thoughts

With heart and brain both filled to overflowing, our week together ended. The community that has developed as a result of the Summer Conversational Series is supportive, loving and generous.

AUDIENCE-560

Although not equal in achievements perhaps, we are equals in our love for the Alcotts and love nothing better than to share that love with each other and the world. Kristi Martin said it perfectly:

“My Alcott community is precious to me. It makes the Summer Conversation series a special occasion. I’m blessed to be a member of the extended Orchard House family; for the friendships, the countless ways that the individual and collective members carry on the spirit of the Alcotts, and bring kindness, joy, learning, inspiration, and beauty into my life.”

Amen.

I invite you to visit Jeannine Atkins’ blog to meet members of this special community — she captured it to perfection.

And my thoughts

I wrote some personal thoughts too which you can check out here.

NOTE: “Louisa May Alcott: The Podcast!” is no longer available on iTunes but you can listen here on the blog. For all the episodes, visit the Podcast Page.

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Louisa May Alcott is My Passion: The Podcast! Episode One: “Beauty in the humblest things”

Welcome to the premier episode of

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I will share your message on the July podcast!
Your participation is so important.

Topics and show notes:

louisa coverA reading

Louisa May Alcott: Illuminated by The Message
by Susan Bailey, pgs. 88-89,
from Work: A Story of Experience

* * * * * * * * * * * * * * * *

News

The Louisa May Alcott Summer Reading Challenge
at “In the Bookcase”

louisa-may-alcott-2016-reading-challenge-banner

louisa in walpole“Walpole’s Louisa May Alcott,”
sponsored by
the Walpole, NH Historical Society

nest5-21-2015The Summer Conversational Series
at Orchard House

 

 * * * * * * * * * * * * * * * *

Interview

lis adams with french louisa bio for webwith Lis Adams, Education Director of Orchard House on the Summer Conversational Series.

* * * * * * * * * * * * * * * *

jan as louisa1And some words from
the old girl herself!

as portrayed by Jan Turnquist.

 

 

* * * * * * * * * * * * * * * *

Music

All bumper music copyright 2000, 2002 and 2015 by Susan Bailey

NOTE: “Louisa May Alcott: The Podcast!” is no longer available on iTunes but you can listen here on the blog. For all the episodes, visit the Podcast Page.

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Louisa May Alcott as grief counselor (on the fifth anniversary of this blog)

My obsession with Louisa played out in a rather odd way. Never a big reader until a few years ago, I’d find myself reading a biographical account of Louisa’s life (rather than read her own words) every few years. This began after reading Martha Saxton’s biography. After the reading (usually done during the autumn months) I would make a pilgrimage to Orchard House. That would satisfy my urge for a year or two, and then I’d repeat the process.

No longer a casual interest

lost summer 190My review of the latest biography on Louisa May AlcottAfter my mother’s passing in 2010, that passion for Louisa was ramped up in a big way. My dear husband had given me copies of The Lost Summer of Louisa May Alcott by Kelly O’Connor McNees and Louisa May Alcott The Woman Behind Little Women by Harriet Reisen months before my mother died but it was impossible to read them while she was ill. A couple of weeks after she was gone, I was ready for something new  and started reading. Coincidentally the PBS documentary of the same title by Reisen and Nancy Porter came out at the same time.

Getting to Louisa’s writing

From an 1897 edition of Alcott's "Hospital Sketches" historicaldigression.com

From an 1897 edition of Alcott’s “Hospital Sketches”
historicaldigression.com

Reisen’s love of Louisa’s canon finally got me to read Louisa’s books for the first time. In River of Grace I write,

It began not with Little Women, but with Hospital Sketches, a thinly veiled memoir of [Louisa’s] experience as a Civil War nurse. Her moving description of the death of a virtuous soldier named John Suhre and how she had nursed him acted as a soothing balm on my grief. She described death as noble, and her belief in the afterlife was unmistakable. Where once I had felt a kinship with Louisa because of our mutually shared mood swings, deep tempers, and passions for our art; now I identified with the woman who found sacredness and hope in death just as I had. While Louisa wrote mainly to support her family, it seemed that the act of creating helped her to work through her own grief after the tragic passing of her younger sister Elizabeth whom she called her “conscience” and “spiritual guide.” (from Chapter 4 of River of Grace, published by Ave Maria Press)

This time I determined that my little reading binge would end with reading books and visiting Louisa’s home. I had to find other people as obsessed as I was with Louisa. It was just too much fun discussing my passion (which I did for an hour on the phone with Harriet Reisen; God bless her for indulging a total stranger!).

The seed was planted and Louisa May Alcott is My Passion was born on this day, August 18, in 2010.

Little did I know as I plunged deeper in to my passion that Louisa was acting as my guide through my grief. I had not been able cry over my mother because I was numb inside. I could not even remember anything about her except as she had been during the last few months: sick, ravaged, terrified and demented. I had been in battle mode for the last two years and that feeling continued for another year after she died.

Remembering Mommy

My mother at eighteen, just before entering Wellesley College in 1938

My mother at eighteen, just before entering Wellesley College in 1938

Louisa helped to draw me close to my mother again especially as I thumbed through her own copies of Little Women and Aunt Jo’s Scrapbag (Vol. 5) with her signed name plate. Slowly I recalled the vibrant, intelligent woman with “pizzaz” (as my brother-in-law called it). Mommy was curious and loved to learn. She poured over books and audited classes at her alma mater, Wellesley College. She was funny, animated (with a voice like a parrot), thoughtful and kind, and always interesting.

Beyond consolation

But more was happening as I read about and then wrote about Louisa: this passion was resurrecting my then-dormant creative life. Louisa’s own grief journey, beginning with the death of Lizzie, the marriage of Anna, and then continuing with the soldiers she had nursed (especially John Suhre), and how it had transformed her life and writing, helped me to understand what was happening:

I believe that the caring for and losing her sister acted as a catalyst to Louisa May Alcott’s transformation as an artist and a woman. The creative gifts of storytelling, play acting, and humor that she had used to minister to Lizzie were subsequently shared with countless soldiers, helping them to while away their lonely hours of pain. Letters sent home to family told the stories of the wounded. These stories, laced with humor and told with urgent realism and heart, compiled Hospital Sketches, a book which resonated with thousands of readers anxious for those first-hand accounts. Louisa’s creative gifts were honed and perfected through her painful journey. This nineteenth century author now was helping me to understand my own grief. She, like me, seemed to find an energy in grief and took action to work through it. We shared a common spirituality even though our religious backgrounds were quite different (I being Catholic, she influenced by her father’s Transcendentalism). To her, God was a loving Father and faithful Friend who revealed himself in nature and in everyday life. I too related to God in this fashion, seeing him in the natural world and in people around me, feeling him through the love of family and friends, tasting and being nourished by him in the sacred bread and the wine, and discerning him through prayer, the scriptures and reflection. (from Chapter 4 of River of Grace, published by Ave Maria Press)

One thing leads to another

Before I knew it, I was feeling the urge to learn more about writing. This led to dreams of crafting a book … and the rest, as they say, is history.

Has Louisa acted as a grief counselor for you? What do you think of her writing on death? Does it strike a chord with you?

To all of you

THANK YOU for your readership and especially for your friendship over these past 5 years. I have had to pleasure of meeting many of you in person and yes, we gabbed about Louisa and will continue to do so. 🙂 This passion never grows old but only grows deeper, thanks to all of you!

Seems appropriate on this, the fifth anniversary of this blog, to share this video one more time with you where I express in music and images my love of the Alcott family and my gratitude to Louisa for being my grief counselor and writing guide:

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“I Will Remember You:” a video and musical tribute to Louisa May Alcott and her sister Lizzie

louisa and lizzieI created this video in tribute to these two special ladies in our lives. In a previous post I had mentioned how Louisa and Lizzie had changed my life; thus I put together this song and video in tribute.

Enjoy and spread it around!

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