Yet another big announcement, and you can be a part of it!

I’ve been sitting on some pretty exciting news.

Along with the release of River of Grace this October, I also have another book in the works, commissioned by a different publisher. And this one is all about Louisa May Alcott! The book will be launched in January of 2016.

louisa cover

The publisher is ACTA; this book is part of a series known as the Literary Portals to Prayer. The idea is to feature passages from the classics and pair them with bible verses which will then stimulate prayer and meditation. The bible verses come from a modern translation of the bible known as The Message. Authors such as Charles Dickens, Herman Melville, William Shakespeare, Hans Christian Anderson, Jane Austen and Elizabeth McGaskell will be featured, along with Louisa May Alcott.

The invitation to write this book came directly as a result of Louisa May Alcott is My Passion. YOU made this possible and I am so grateful.

I am presently combing through Louisa May Alcott’s books and journals to find the perfect fifty passages to complete my volume in this series.

And this is where you come in.

Many of you know Louisa’s canon far better than I do. I am making inroads but we all know how prolific Louisa was!

I could really use your help!

I would eagerly welcome your suggestions on passages for use in the Louisa May Alcott Literary Portal to Prayer.

Please post your suggestion through your comment, or send me an email at with your passage(s).

If I use your passage, I will credit and thank you by name in the introduction I will write for the book!

The rules are simple:

  • The passage must contain between 73 and 275 words; poetry is definitely welcome and cannot exceed 30 lines.
  • The passage must contain some kind of spiritual theme, i.e. love of God, welcoming the stranger, feeding the hungry, personal growth, a personal revelation, etc. The religious nature of the passage does not have to be overt; we want the passage to stimulate thought and inspire ponderance.
  • Cite the the name of the work and chapter number and name, and cut and paste the passage into your comment or email.
  • Deadline for submission is Monday, August 31. Post your passage(s) through your comment, or send me an email at with your passage(s).
  • First come, first serve. If duplicate passages are suggested, the first person who suggests it will be the owner of that passage.

I would particularly welcome passages from Louisa’s short stories from Aunt Jo’s Scrap-Bag, Lulu’s Library, other compilations, or any stories published in St. Nicholas magazine. I don’t have the time to go through all of her short stories but should it be a specialty of yours, I would welcome your submissions.

Thinking about reading this weekend or over your vacation? Find some passages and send them along. I am eager to see your suggestions!

Please share this around with your friends on Facebook and Twitter:

All submissions are welcome. Cut and paste this into your Facebook page or click to tweet & share:

Know of a quote from #LouisaMayAlcott relating to spirituality? Help out @susanbailey and be part of a new book.

And thank you again for your support of this blog which has resulted in this opportunity.

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Summer Conversational Series 2014 – “Navigating the Vortex: Creative Genius in the Time of the Alcotts” – Is it Talent or Genius?

Jan Turnquist, Executive Director, introducing the speaker.

Jan Turnquist, Executive Director, introducing the speaker.

I am grateful to be able to attend again the annual Summer Conversational Series at Louisa May Alcott’s Orchard House this year. The theme concerns talent versus genius, and the abundance of genius that existed in Concord, Massachusetts in the 19th century.

I was not able to take in all five days of the series but I will present the speakers that I was fortunate enough to see.

Was Louisa a genius?

Was Louisa May Alcott a genius or merely a crackerjack professional writer? Was she both? These questions and more were explored during Monday’s session.

Cathlin Davis, Ph.D

560 cathlin1

Cathlin Davis, Ph.D on Talent versus Genius

The first speaker was a perennial favorite, Dr. Cathlin Davis, professor of Liberal Studies at California State University, Stanislaus. Dr. Davis probably knows Louisa’s juvenile canon better than anyone with a particular emphasis on her numerous short stories.

Louisa’s breakthrough work in children’s literature

Dr. Davis is passionate about elevating children’s literature to the level of respect it deserves by highlighting its most prominent authors. Dr. Davis maintained in her presentation “Is it Talent or Genius?” that Louisa’s unique genius was the ability to get inside the mind of the child and voice that child’s thoughts, feelings, hopes and fears. Before Louisa, children’s literature presented all-too-perfect children presenting moral teaching through stilted dialog. Dr. Davis compared a sample from Nathanial Hawthorne’s Tanglewood Tales of a twelve year old’s conversation (stiff, formal, full of long words and complex sentences) to Louisa’s An Old-Fashioned Girl featuring childish conversation laced with slang and grammatical errors; in other words, the way children of that era really talked.

Examples from Louisa’s stories

Dr. Davis spelled out the qualities of talent and of genius, displaying them on a poster (see photo). She then took several examples from Louisa’s books and short stories to illustrate. These included Amy and Laurie from Little Women, Rose, Charlie, Phoebe and Mac from Rose in Bloom, Psyche and her little sister from the short story “Pysche’s Art,” Clara from “A Bright Idea” (from Aunt Jo’s Scrap-Bag, Volume V), and Diana and Persis. As you can see from the photo, she listed who she thought had talent and who possessed genius.

560 talent versus genius


Louisa herself is on that list.

Louisa’s genius was her genuine love of children, her commitment to truthfulness and accuracy, and her passion. She respected children, never writing “down” to them. These qualities were instantly recognized by her adoring public with the first publication of volume one of Little Women.

Much to find in Louisa’s stories

Dr. Davis concluded that Louisa wrote extensively on the subjects of talent and genius. She remarked that preparing for this presentation, she realized that Rose in Bloom is not just about romance but about discovering one’s talent, determining whether or not it is genius, and using it to benefit others. While Louisa did often focus on the fine art talents of music, acting, dancing and painting, she also pointed out those talents which often go unnoticed – the talents for helping others which Rose displayed so well in the story.

True confession

rose in bloomI have a confession to make which has probably been obvious to you who read this blog regularly: I enjoy writing about Louisa more than writing about her books and stories. It is an odd disconnect, one that I am seeking to correct. Having listened to Dr. Davis’s presentation (and later having the pleasure of conversing with her over dinner), I have a better sense of what to look for when I read Louisa’s juvenile works. Dr. Davis is convinced that in spite of the infamous quote (which she is loath to use) of writing “moral pap for the young,” Louisa was in fact proud of her juvenile writing and poured herself into her writing.

You all of course have always known that. I felt that way about Little Women despite Louisa’s protestations about having to write it. Perhaps the author doth protest too much?

Needless to say, I have much catching up to do and a pleasant task it will be!

More to come …

In my next post I will present more about the other presenters in Monday’s session.

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Work: “Tinker, tailor, soldier, sailor” – what could women do?

Illustration by Flora Smith, The Story of Louisa May Alcott by Joan Howard

You’ve come of age and it’s time to strike out on your own.

How do you feel?

  • Excited?
  • Fearful?
  • Full of anticipation?

Will it be a grand adventure or a dismal failure?

In her mid-twenties, Louisa May Alcott was ready to strike out on her own, fueled by her obsessive desire to be a financial support to her habitually poor family.

What occupations could a twenty-something genteel woman aspire to?

In Work A Story of Experience, chapters 1-6 reveal through Christie Devon how such a woman could be gainfully employed:

  • Domestic servant
  • Actress
  • Governess
  • Companion
  • Seamstress

Throughout her twenties until she could make her writing pay, Louisa was employed in these various occupations. She pointedly left out two others: factory work and teaching, the former because she felt it was beneath her and the latter because she hated it.

As Louisa was fond of morality plays, Christie experiences a testing of her soul in each occupation:


As a domestic servant, Christy learns a lesson in humility from her co-worker, a runaway slave named Hepsey.

Lesson in perspective

When asked to blacken her master’s boots (deemed to be the lowliest of tasks), Christie protests, considering the task to be degrading. Hepsey, however, offers to do the job for Christie as she considers any job that paid worth doing if she could earn the money she needed to buy her mother out of slavery.

Christie immediately feels chastened as her small humiliation is put into perspective.

Real life connection

Louisa went out to service when she was seventeen and when she refused the overtures of her master, was given all the hard work plus the task of blackening his boots. She quit in a huff.

Chronicled in her short story, “How I Went Out to Service,” it proved to be one of the most humiliating experiences of her life. Usually able to dismiss such experiences with sarcastic humor, this was one time when her humor failed her.


Christie is cajoled by a friend to try acting. At first she resists the suggestion because acting is not considered a proper occupation for a genteel woman. Tales of glamor and glory and the adventure of it all persuade Christie to give it a whirl, and in the end, she makes a good living at it over the next three years.

Soul searching

Christie enjoys the applause of the audience and the praise of her co-workers but finds herself changing into someone she no longer recognizes. Hard, shallow and vain, Christie takes a hard look at herself and decides to walk away:

“Others might lead that life of alternate excitement and hard work unharmed, but she could not. The very ardor and insight which gave power to the actress made that mimic life unsatisfactory to the woman …”

Louisa’s love of acting

I found this particular section quite revealing about Louisa. She of course aspired to be an actress, wanting to be famous like Fanny Kemble or Jenny Lind. She and older sister Anna immersed themselves in theatricals, from entertaining the family through hard times to performing with acting troupes in Walpole, NH and Concord. It was the only occupation apart from writing that held any allure.

Not the right career choice

Louisa was a good character actress and comedienne; it proved to be a great way to vent her creative energy. She eventually dismissed acting as a career choice, partially because it was not considered respectable. But it’s obvious a lot of soul-searching went on as evidenced by Christie’s self-examination; Louisa felt acting would lead to a life she could not abide by:

“After being on the stage & seeing more nearly the tinsel & brass of actor life (much as I should love to be a great star if I could), I have come to the conclusion that its not worth trying for at the expense of health & peace of mind.” (pg. 149 ebook, Louisa May Alcott The Woman Behind Little Women by Harriet Reisen)

The better moral choice

Having been schooled in morality relentlessly since her birth (and reminded over and over how selfish she could be), Louisa could not justify the vanity and self-absorption that came with the pleasure of acting. Writing was morally more acceptable.

cover of Louisa May: A Modern Biography of Louisa May Alcott by Martha Saxon


It is ironic, however, that she could justify secretly indulging in lurid blood and thunder tales (using the name of A M Barnard) under the guise of making money.

Perhaps because the indulgence was temporary, ending with the story’s conclusion, she could do it without totally selling out her soul. With acting, Louisa feared losing herself entirely in the bargain.

In the next post, I will examine the other occupations, most especially the role of companion, for this chapter revealed a deep fear that haunted Louisa throughout her life.

Click here to read part one of this series on Work.

2012 Summer reading challenge hosted at www.inthebookcase.blogspot.comReading Work  by Louisa May Alcott is part of my Louisa May Alcott Summer Challenge – are you a part of this challenge and if so, how are you doing?

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Work: striking out on your own as 19th century woman – Louisa’s perils and pitfalls

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