Begun in 2010, this blog offers analysis and reflection by Susan Bailey on the life, works and legacy of Louisa May Alcott and her family. Susan is an active member and supporter of the Louisa May Alcott Society, the Fruitlands Museum and Louisa May Alcott's Orchard House.
I am pleased to share with you a wonderful essay about the professional lives of Louisa May Alcott and May Alcott Nieriker written by Lauren Hehmeyer, a professor of History and English at Texarkana College. Professor Hehmeyer presented at the May Alcott conference in Paris in June of 2018 (see previous post) and is currently …
Before May Alcott left for Europe to study and become a professional artist, she gave lessons from a studio at Orchard House which her father Bronson made for her. A student of hers created one of the most iconic pieces of sculpture in America: One of his first commissioned works is in Concord: That artist …
Continue reading "Meet the artist to whom May Alcott acted as mentor: Daniel Chester French"
I am pleased to present a most interesting and insightful essay on May Alcott Nieriker by Azelina Flint, an Alcott scholar from Great Britain who organized a conference in Paris last year called "Recovering May Alcott Nieriker's Life and Work." It begins with an intriguing letter written by May to her father, Bronson when she …
Continue reading "A fresh examination of May Alcott Nieriker: Did Genius Burn?"
As a 19th century woman from a well-connected family, nineteen-year-old Abba Alcott was decidedly unconventional. She resisted the idea of marriage, preferring instead to study while nurturing dreams of opening her own school. Abba dreaded the pairing that had been arranged for her with cousin Samuel May Frothingham; his unexpected death freed her from that …
Continue reading "Marmee and Louisa Book Discussion: Chapter Two “Drawing Toward Some Ideal Friend”"
Jo and Beth shared a special relationship, including things in common. My take on “Tender Troubles” from Little Women.
By Susan Bailey
Marmee was worried about Beth and for good reason. Her daughter was quieter than usual, even withdrawing from her father. She would cry when visiting with Meg’s babies. Her music was tinged with sadness. Unable to draw Beth out, Marmee asked Jo to find out what was wrong.
Jo thought she had the answer: Beth was in love with Laurie. But in her lack of experience with matters of the heart, she misread the signs. Does a girl in love stare out of a window with a tear sliding down her cheek? Does she cry over her little niece and nephew because she is longing for Laurie? Why would she withdraw from her family?
Jo tried to look at the bright side when it came to her favorite sister even if the signs were pointing in the opposite direction. Hoping that Beth had moved beyond her lingering…
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Born on October 8, 1800, Abigail May came from a long line of wealthy, prominent Boston families. They included the Sewalls (Judge Samuel Sewall, the “repenting judge,” who had presided over the Salem Witch Trials to which he spent the rest of his life atoning for those actions), the Mays (who fought in the American …
Continue reading "Marmee and Louisa Book Discussion: Chapter One “A good child, but willful”"
Eve LaPlante’s ancestral link with the Alcotts extends to readers of Marmee and Louisa: The Untold Story of Louisa May Alcott and Her Mother a unique and intimate connection to this family. In the introduction, she mentions a trunk in her attic, passed down by an aunt. Although it and other treasures have been in …
Continue reading "“Marmee and Louisa” book discussion: Introduction – why Abba Alcott?"
