Begun in 2010, this blog offers analysis and reflection by Susan Bailey on the life, works and legacy of Louisa May Alcott and her family. Susan is an active member and supporter of the Louisa May Alcott Society, the Fruitlands Museum and Louisa May Alcott's Orchard House.
I am pleased to announce that we will be doing a book discussion in the coming weeks on Marmee and Louisa: The Untold Story of Louisa May Alcott and her Mother by Eve LaPlante. Each Thursday I will do a post on one chapter of the book, giving a brief reflection and offering discussion questions. …
Here is this year's call for proposals for the Orchard House Summer Conversational Series. Visit louisamayalcott.org for more information. Are you passionate about Louisa May Alcott too? Subscribe to the email list and never miss a post! Keep up with news and free giveaways on Susan's books, Louisa May Alcott: Illuminated by The Message, and …
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Louisa had her special writing space – a desk built by her father which overlooked the front yard of Orchard House. Here is mine – what is yours like?
I spent some time over Christmas break beefing up my writing room. The room had previously worked when I wrote my spiritual memoir a few years back. The organization of that book was simple and I’d write on my tablet in a comfy chair and not have to worry about having a lot of space.
It is so different this time around! There are piles of books and papers everywhere. My mind is in overdrive and my emotions raw. The words I have set down so far present a confusing and unfocused account. The story that is so clear in my mind lacks continuity on the screen. I vacillate between being a storyteller, a journalist (“just the facts”) and a lawyer arguing a case. It’s all so chaotic at times.
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I have begun work on a biography of Elisabeth Sewall Alcott and will be sharing updates and thoughts the writing of this book through this special blog dedicated to Lizzie. I invite you to subscribe to the blog — click “Subscribe” located on the menus at the top of the page.
I have begun work at last on a biography of Elisabeth* Sewall Alcott; she is best known as the real life prototype of Beth March of Little Women, written by her older sister, Louisa May Alcott. After spending nearly 8 years researching her life, I am ready to write about it.
Writing such a book can take years to complete and the enormity of the task is overwhelming at times. This plus the fact that I am learning so many interesting aspects of writing biography inspired me to create this diary so that you can share in the experience. As I work through the steep learning curve of writing this book, I am hoping these posts will offer information that aspiring biographers will find helpful. It is also a way to hold myself accountable to you – to work in a disciplined manner and to…
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From LW150 blog — wow, I had no idea Laurie was so complex! Fascinating read.
p.s. Check out Cathlin Davis’ comments about this chapter here — she brings it into the present day.
By Jan Alberghene
I was nine when I first read Little Women, but I still remember pausing over Hannah’s calling Laurie the “‘interferingest chap,’” not because I disagreed with her opinion, but because it took me a few minutes to decode the unfamiliar word “interferingest.” I had to agree with Hannah. Laurie popped up in places where he had no business being: at a meeting of the Pickwick Club (where Jo was, to be fair, a co-conspirator), and later when the sisters climbed a nearby hill on a pleasant afternoon to “play pilgrims” in private as they sewed and talked. “Yes,” I thought, “Laurie was the ‘interferingest,’” and I hadn’t even reached the chapter titled “Laurie Makes Mischief, and Jo Makes Peace.”
After I finished reading chapter 21, the Laurie I liked no longer existed. Although Laurie is barely sixteen, he feels superior to his tutor Mr. Brooke, a…
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From the LW150 blog: What a wonderful post by NY Times best-selling author of the Penderwick family novels Jeanne Birdsall!
By Jeanne Birdsall
Louisa settled at her desk, preparing to slog through another chapter of Little Women, this book she was writing only for the money. It was meant to be read by girls, which meant she needed to stay away from high drama and thunder, her usual ways to advance a story. She rubbed her temples—a headache threatened—unwittingly mussing her hair. Who was she to write for girls? A woman who’d never been a conventional girl, who barely knew what such girls talked about and wished for.
Stop fussing, she told herself, and get to work. Where was she in the story? The mother of the March family, Marmee, had just rushed home from Washington, where she’d been nursing the girls’ father, to find that Beth had miraculously escaped death from scarlet fever. The chapter needed to begin with quiet joy and gratitude. Louisa picked up her pen…
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There is always room for another annotated version of Little Women as seen by this beautiful version published by Penguin Classics. Featuring a modern cover that ought to appeal to younger readers, Little Women: 150th-Anniversary Annotated Edition is a physically appealing book; I was immediately attracted to it the moment I started thumbing through the pages. …
