A last journey on the Sylvia Yule before the winter comes

I had the very rare opportunity yesterday of actually having 2 hours of free time lining up with beautifully warm weather in the middle of October! I jumped on it. 🙂 I grabbed the Sylvia Yule and went down to the local boat launch to take a final kayak trip before the cold weather settles in.

My husband keeps wishing we had a waterfront home. I think we have the best of both worlds – a home only a few minutes away from water – all the perks without  the work and hassle. Not a bad deal at all. 🙂 I launched the Sylvia Yule just as the sun was about to set.

We had just had a big rain storm so the water level was high and the current strong, making for a vigorous paddling workout. The colors at sunset were golden and lovely.

I loved how the water reflected the clouds and the sky. I only wish I had been able to capture the Great Blue Heron that I scared off a couple of times. Alas, an iPhone camera can’t do everything! 🙂

Of course my head was full of Thoreau (as it always is now when I kayak). This time though I recalled Louisa May & Mr. Thoreau’s Flute and imagined myself as a young Louisa with Mr. Thoreau in the Musketaquid, listening to music from his flute and the quasi-fairy tale stories he told about the natural world.

And how could I do a post about a kayak trip without quoting Moods? 🙂

“All manner of sights and sounds greeted Sylvia, and she felt as if she were watching a Panorama painted in water colors by an artist who had breathed into his work the breath of life and given each figure power to play its part . . . never had she felt so truly her happiest self, for of all the costlier pleasures she had known not one had been so congenial as this, as she rippled farther and farther up the stream and seemed to float into a world whose airs brought only health and peace.

Anxious to reach a certain point, they rowed on into the twilight, growing stiller and stiller as the deepening hush seemed to hint that Nature was at her prayers. Slowly the Kelpie floated along the shadowy way, and as the shores grew dim, the river dark with leaning hemlocks or an overhanging cliff, Sylvia felt as if she were making the last voyage across that fathomless stream where a pale boatman plies and many go lamenting.”

The red, orange and golden leaves, while lovely to look at, sparked a little sadness at the thought of winter approaching. They remind me of the leaves I pressed into wax paper and gave to my mom in the last few months of her life, so she could still see the beauty of the season.

Still, winter makes the spring all that much sweeter. I will need to find a way to appreciate the snow and the storms and find beauty in them also.

This weekend, I will clean off the Sylvia Yule and put her in the basement until the spring. What a glorious way to end the season, filled with wonderful memories of great times drifting down river.

Are you passionate about Louisa May Alcott too?
Send an email to louisamayalcottismypassion@gmail.com
to subscribe, and never miss a post!
Facebook Louisa May Alcott is My Passion
More About Louisa on Twitter


Louisa May Alcott’s spirituality, and her better self in Sylvia Yule

Finishing up chapter V in the 1864 version of  Moods (“The Golden Wedding”), I walked away with two thoughts, regarding Louisa’s spirituality and her romanticized self in Sylvia Yule.

Louisa May Alcott’s Spirituality

I want more than ever to write a longer treatise on the spirituality of Louisa May Alcott. Although she did not belong to any particular church or religion, her spirituality in many senses is similar to mine and I am a devout Roman Catholic. I would need to do a LOT more research on how Christianity was practiced and perceived in the 19th century (a daunting task!) because my sense is her way of looking at God was radically different from the way  every other Christian practiced. Obviously this is true because of Transcendentalism and my gut tells me that fear of God’s retribution was the major motivator rather than love of God. Because I have never studied Transcendentalism, I don’t believe I was directly influenced by it although it may be that  because this is New England, I may have been influenced by it in an indirect way. All I know is when I read Little Women, I was very taken by the spirituality of the mundane that Louisa preached (see my post on Amy) – that spirituality being that it was all in the details: how a smile, a gesture, a small sacrifice can be the key to true spirituality.

I see that same ‘preaching,’ so to speak, in Moods with Sylvia. I know that family was central to salvation for Bronson and for Louisa and this explains the beautiful descriptions of a caring family holding a 50th golden wedding anniversary celebration for their matriarch and patriarch. But this was the passage that particularly struck me (page 98, chapter V):

That passage caused me to recall Louisa’s own discovery of God in her teens after an early morning excursion in the meadow over Hillside.

I just did a little bit of reading about Saint Ignatius, the founder of the Jesuits and found a kindred friend. From what I could gather, his spirituality was often about finding God in the world. He also believed in developing the mind. I feel that Louisa did this also. Her practice of virtue often paralleled the spirituality of St. ThĂ©rèse of Lisieux and Blessed Mother Teresa – doing small things with great love.

I hope I can find the time to do the research, and the guts to tackle this subject. It’s yet the latest thing that draws me to Louisa.

Louisa Romanticized in Sylvia Yule

In defending Moods in letters to readers (see previous post) it strikes me as a little odd how Louisa speaks of Sylvia as being a slave to her moods, almost speaking of her in a disparaging way. When I see how she describes her, I see a breath of fresh air – a young woman full of life and vigor, curious about everything, willing to step out and take changes, impulsive for sure, and creative in her thinking. I’m wondering if this is how Louisa would have liked to have been seen – decidedly different and accepted as such. It is easy to see why Moor and Warwick both fall in love with her, being different sorts themselves. Chapter V in particular has lovely descriptions of Sylvia: a dream version of a very complex and rather tormented woman. I have no proof of this at all but I’d like to think that Louisa, lost in her vortex, lived through Sylvia and found a temporary peace in that character (at least while the going was good!).

I am hoping, however, that the story line is going to begin to move on. I was surprised that 3 chapters were devoted to this camping excursion with Mark (Max), Moor and Warwick. It makes me think it was probably a good thing the book was edited! We shall see. 🙂