Louisa May Alcott is My Passion: The Podcast! Episode Two: Wrap-up of the 2016 Summer Conversational Series

“It’s amazing how lovely common things become, if one only knows how to look at them.” (from “Marjorie’s Three Gifts,” 1877)

itunes graphic3Welcome to the second episode of Louisa May Alcott is My Passion:
The Podcast!

During the next thirty six minutes I will give you an overview of the recent Summer Conversational Series, “‘Finding Beauty in the Humblest Things’ — Louisa May Alcott’s Literary Vision” which took place July 10-14 at Louisa May Alcott’s Orchard House. You’ll get to hear from many of the speakers and hear a summary of their presentations. Here on the show notes I have links to my notes so that you can get all the details

And now, on with the show!

Cathlin Davis, PhD
“Bringing Beauty to the World: Youthful Reformers in Louisa May Alcott’s Juvenile Fiction”

Dr. Cathlin Davis

Dr. Cathlin Davis

Dr. Davis, Full Professor in the College of Education at California State University-Stanislaus, has been presenting for over ten years at the Summer Conversational Series. She likely has the largest collection of books by Louisa May Alcott (many first editions) and is the go-to person for information and analysis of Alcott’s juvenile works.

On Monday she demonstrated how Alcott brought beauty to the world through her children’s stories. She covered three commonly used themes through a series of stories:

  • Kindness to animals (“Nelly’s Hospital,” “Old Major,” “Baa! Baa!,”)
  • Kindness to each other, rich and poor (“May Flowers,” “Roses and Forget-Me-Nots,”)
  • Sharing Christmas joy (“How It All Happened,” “The Little Red Purse” and “Kate’s Choice.”)

Dr. Davis introduced her session by reading portions of a children’s picture book by another author, Barbara Cooney called Miss Rumphius which demonstrates the theme beautifully. You can watch it here on YouTube:

Download my notes

All stories are available through Google Books or Project Gutenberg.

Elise Hooper:
“Extraordinary Beauty in an Ordinary World: May Alcott and Women’s Painting during the 19th Century”

Elise Hooper

Elise Hooper

Elise Hooper is a teacher of history and the author of The Other Alcott, a novel about May Alcott Nieriker, due for publication in the Fall of 2017.

Hooper traced the life of May Alcott Nieriker, citing the influence of her parents. Although May lacked a thorough formal education, her home encouraged creativity, enthusiasm and beauty, all of which drove her in her ambition to become a professional artist.

Hooper explained the need for May to seek her training in Europe as America was in its infancy with regards to art. With the exception of a few prominent teachers (among them Dr. William Rimmer and Stephen Salisbury Tuckerman, both of whom instructed May), there was no support for a professional career in art for women. Because of strong Victorian norms, it was impossible for women to receive the necessary anatomical training as that necessitated the use of nude models, male and female.

Still, Boston was more progressive in the arts than most cities and May was able to take full advantage. Once she reached Europe through the help of her famous sister Louisa, May threw herself into studies. Hooper discussed May’s success as a Turner copyist and two-time exhibitor at the Paris Salon.

Download my notes

You can find out more about The Other Alcott here.

Anne-Laure François
“A Lesson in the True Necessities and Means of Life: Louisa’s Children as Wise Seers of the Sublime in Everyday Life”

Anne-Laure François

Anne-Laure François

Dr. François is an assistant professor at Paris West University Nanterre La Défense working in both the English and Law Departments. Her doctoral dissertation offered the first detailed study in French of Louisa May Alcott’s fiction, examining Alcott’s strategy of re-writing Transcendentalism and adapting its philosophical principles to the demands of the fast-growing American literary market in the second half of the 19th Century. As an educator, she helped create an alternative high school in the South of France — a project notably based on Alcott’s “Plumfield,” the school utopia that paid homage to her father’s groundbreaking educational ideas and work.

Dr. François chose to examine a little-known short story written by Alcott in 1857 called “The Cross on the Old Church Tower.” She believes that this story foretold the type of writing that would propel Alcott to great success. It is also important to note that “The Cross on the Old Church Tower” was written during Lizzie’s last illness.

Faustian themes, a favorite of Alcott, is featured in this story and found in later works such as A Modern Mephistopheles. One of the main characters, Walter, represents Faust while the other, Jamie, is his savior through his simple and virtuous life. Walter eventually becomes a writer of love stories through Jamie’s influence. There are many parallels between “The Cross on the Old Church Tower” and the story of Beth’s death and her influence on Jo in Little Women.

Dr. François described how this story shows the depth of Alcott’s reading. She believes the story is prophetic regarding Alcott’s future as a successful writer.

You can read “The Cross on the Old Church Tower” here http://www.online-literature.com/alcott/1976/

Download my notes

Kristi Lynn Martin
“The Sacred Domestic, Memorialization, and Literary Imagination in the Alcott Sisters’ Sphere”

Kristi Lynn Martin

Kristi Lynn Martin

Kristi Martin is a registered tour guide for all the historic homes in Concord including Louisa May Alcott’s Orchard House. She is currently doing her dissertation for her PhD on literary tourism in Concord (“Creating ‘Concord: How Preservation and Tourism Transformed a New England Village into a Tourist Mecca, 1824 – 1965”).

Kristi’s specialty is the Alcott sisters and in her presentation told true stories of each sister that line up with the fictional tales of the March sisters. The Alcott sisters were known as The Golden Band by their father Bronson and he wrote beautiful sonnets for each sister. In Little Women, he is the wise and quiet leader of a bustling household of women.

Beginning with the eldest, Anna, Kristi described Anna’s love of beauty (her favorite word was “beautiful”) and used her wedding as the perfect example of Anna’s virtuous beauty. Meg March’s wedding was very similar to Anna’s right down to the grey silk dress and Lily of the Valley flowers. The simplicity of that wedding underscored the beauty that be the marriage between Anna and her John (aka Meg and John Brooke).

She highlighted Louisa’s sacrifice of her nursing service which resulted in a near fatal illness and the loss of her “one true beauty” – her long chestnut tresses. In Little Women Mr. March serves in the war and Jo sacrifices “her one beauty” impetuously to help send Marmee to his side during his recovery.

Beth’s gentle goodness and gracious death proved to be perhaps the major moral force of the novel as shown by the change in Jo after Beth dies. Kristi shared quotes from Lizzie demonstrating that the shy shadow sister in fact very much enjoyed the company of others and could have a saucy sense of humor not unlike Louisa herself!

Finally she contrasted May with Amy demonstrating that although like Amy, May grew into a gracious woman, she also took her art far beyond where Amy was able to take it.

Download my notes

A visit from Louisa May Alcott!

From left to right, Lis Adams, Education Director, and Jan Turnquist as Louisa May Alcott

From left to right, Lis Adams, Education Director, and Jan Turnquist as Louisa May Alcott

We had a surprise visit from Louisa herself! (artfully portrayed by Orchard House Executive Director Jan Turnquist) She first talked about Father and Mother and their dear friends, Emerson and Thoreau. She spoke with affection about Emerson’s daughter Ellen and how she dogged Louisa for more fairy stories. That of course, ended up with the publication of Louisa’s first book, Flower Fables.

She was “surprised” that we all knew and loved Little Women and remarked how unexpected its success was to her as both she and her publisher, Thomas Niles, thought the book “dull.”

Louisa lovingly shared the familiar story of Bronson coming home after a trip out West, covered with snow and with only one dollar in his pocket.

She shared stories about her days as a Civil War nurse and even “reunited” with a soldier she had nursed in Washington! (Bravo John Matteson for your campy performance)

She then revealed her deep dark secret: she wrote pot boilers just like Jo! She then acted out one of her most notorious women characters, devious Jean Muir of Behind a Mask.

Continuing to enact favorite characters, she showed us Sairy Gamp from a Charles Dickens story, the character she used to cheer up her dear Lizzie as well as the soldiers in the Union hospital.

Calling us friends, she confided in us how she put off annoying fans by pretending to be the Irish maid.

It was a wonderful visit!

Gabrielle Donnelly
“Castles in the Air Versus Two Inches of Ivory: A Comparison of Louisa May Alcott’s Sisters with Jane Austen’s Bennets.”

Gabrielle Donnelly, photo by Jeannine Atkins

Gabrielle Donnelly, photo by Jeannine Atkins

Two classics: Little Women by Louisa May Alcott, and Pride and Prejudice by Jane Austen – Gabrielle Donnelly is a devotee of both authors.

Having written a modern day interpretation of Alcott’s book with The Little Women Letters, Donnelly is intimately familiar with the March sisters; as a member of the Jane Austen Society, she has similar affinity for the Bennet sisters.

Listening to any presentation by Donnelly is truly an unforgettable experience with her classic London accent and dry British wit; she is a perennial favorite at the Summer Conversational Series. She traced both stories and showed great differences between the March and the Bennet families. Of course, Pride and Prejudice was written in an earlier era and Alcott’s upbringing was unusual and progressive. Comparing and contrasting these two families revealed much about Austen and Alcott as women and writers.

The crowning moment was a piece of fan fiction crafted by Donnelly where she has Elizabeth Bennet meeting Jo March (Mrs. Frederick Bhaer)!

Download my notes

Download Donnelly’s fan fiction

John Matteson
“Five at Fredericksburg: Revising What We Know about The Battle that Transformed American Culture.”

Dr. John Matteson

Dr. John Matteson

Dr. Matteson, the Pulitzer prize-winning author of Eden’s Outcasts (about Louisa and her father), also author of The Lives of Margaret Fuller, presented a double session highlighting his latest book about the Battle of Fredericksburg and its effect on American culture through five prominent people (including Louisa).

Dr. Matteson’s presentation was part book description and part writing process. As several of us are working on book projects, this part of his presentation (and the ensuing Q & A) was especially helpful.

Dr. Matteson began by sharing how his new book project (with the working title of A Worse Place than Hell, a quote taken from Abraham Lincoln) was born through a discussion with one of his editors who pushed him to think “big.” Dr. Matteson shared some of his techniques for staying on track and not becoming overwhelmed by the mountain of research he has acquired.

He then got into the meat of the book, describing first the Battle of Fredericksburg and why it was such a bloody disaster. He then introduced the five persons transformed by the war:

  • Walt Whitman – his brother’s injury in a battle caused Walt to become a volunteer nurse.
  • The Rev. Arthur Buckminster Fuller (Margaret’s brother)
  • Oliver Wendall Holmes, Jr. (future Supreme Court Justice — how his view of the law evolved)
  • John Pelham (“the blond idol of soldier-loving girls”) – John especially captivated by his photo (that’s how I felt about Lizzie when I first saw her). He was the youngest soldier to lie in state.
  • Louisa May Alcott

Download my notes

Part two of Dr. Matteson’s presentation was an encore of the presentation he made last May at the Concord Inn which you can read about in my blog post, “Finding the ‘prince of patients’—John Matteson discovers the whereabouts of John Suhre from Hospital Sketches”

Closing thoughts

With heart and brain both filled to overflowing, our week together ended. The community that has developed as a result of the Summer Conversational Series is supportive, loving and generous.

AUDIENCE-560

Although not equal in achievements perhaps, we are equals in our love for the Alcotts and love nothing better than to share that love with each other and the world. Kristi Martin said it perfectly:

“My Alcott community is precious to me. It makes the Summer Conversation series a special occasion. I’m blessed to be a member of the extended Orchard House family; for the friendships, the countless ways that the individual and collective members carry on the spirit of the Alcotts, and bring kindness, joy, learning, inspiration, and beauty into my life.”

Amen.

I invite you to visit Jeannine Atkins’ blog to meet members of this special community — she captured it to perfection.

And my thoughts

I wrote some personal thoughts too which you can check out here.

NOTE: “Louisa May Alcott: The Podcast!” is no longer available on iTunes but you can listen here on the blog. For all the episodes, visit the Podcast Page.

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Louisa May Alcott as grief counselor (on the fifth anniversary of this blog)

My obsession with Louisa played out in a rather odd way. Never a big reader until a few years ago, I’d find myself reading a biographical account of Louisa’s life (rather than read her own words) every few years. This began after reading Martha Saxton’s biography. After the reading (usually done during the autumn months) I would make a pilgrimage to Orchard House. That would satisfy my urge for a year or two, and then I’d repeat the process.

No longer a casual interest

lost summer 190My review of the latest biography on Louisa May AlcottAfter my mother’s passing in 2010, that passion for Louisa was ramped up in a big way. My dear husband had given me copies of The Lost Summer of Louisa May Alcott by Kelly O’Connor McNees and Louisa May Alcott The Woman Behind Little Women by Harriet Reisen months before my mother died but it was impossible to read them while she was ill. A couple of weeks after she was gone, I was ready for something new  and started reading. Coincidentally the PBS documentary of the same title by Reisen and Nancy Porter came out at the same time.

Getting to Louisa’s writing

From an 1897 edition of Alcott's "Hospital Sketches" historicaldigression.com

From an 1897 edition of Alcott’s “Hospital Sketches”
historicaldigression.com

Reisen’s love of Louisa’s canon finally got me to read Louisa’s books for the first time. In River of Grace I write,

It began not with Little Women, but with Hospital Sketches, a thinly veiled memoir of [Louisa’s] experience as a Civil War nurse. Her moving description of the death of a virtuous soldier named John Suhre and how she had nursed him acted as a soothing balm on my grief. She described death as noble, and her belief in the afterlife was unmistakable. Where once I had felt a kinship with Louisa because of our mutually shared mood swings, deep tempers, and passions for our art; now I identified with the woman who found sacredness and hope in death just as I had. While Louisa wrote mainly to support her family, it seemed that the act of creating helped her to work through her own grief after the tragic passing of her younger sister Elizabeth whom she called her “conscience” and “spiritual guide.” (from Chapter 4 of River of Grace, published by Ave Maria Press)

This time I determined that my little reading binge would end with reading books and visiting Louisa’s home. I had to find other people as obsessed as I was with Louisa. It was just too much fun discussing my passion (which I did for an hour on the phone with Harriet Reisen; God bless her for indulging a total stranger!).

The seed was planted and Louisa May Alcott is My Passion was born on this day, August 18, in 2010.

Little did I know as I plunged deeper in to my passion that Louisa was acting as my guide through my grief. I had not been able cry over my mother because I was numb inside. I could not even remember anything about her except as she had been during the last few months: sick, ravaged, terrified and demented. I had been in battle mode for the last two years and that feeling continued for another year after she died.

Remembering Mommy

My mother at eighteen, just before entering Wellesley College in 1938

My mother at eighteen, just before entering Wellesley College in 1938

Louisa helped to draw me close to my mother again especially as I thumbed through her own copies of Little Women and Aunt Jo’s Scrapbag (Vol. 5) with her signed name plate. Slowly I recalled the vibrant, intelligent woman with “pizzaz” (as my brother-in-law called it). Mommy was curious and loved to learn. She poured over books and audited classes at her alma mater, Wellesley College. She was funny, animated (with a voice like a parrot), thoughtful and kind, and always interesting.

Beyond consolation

But more was happening as I read about and then wrote about Louisa: this passion was resurrecting my then-dormant creative life. Louisa’s own grief journey, beginning with the death of Lizzie, the marriage of Anna, and then continuing with the soldiers she had nursed (especially John Suhre), and how it had transformed her life and writing, helped me to understand what was happening:

I believe that the caring for and losing her sister acted as a catalyst to Louisa May Alcott’s transformation as an artist and a woman. The creative gifts of storytelling, play acting, and humor that she had used to minister to Lizzie were subsequently shared with countless soldiers, helping them to while away their lonely hours of pain. Letters sent home to family told the stories of the wounded. These stories, laced with humor and told with urgent realism and heart, compiled Hospital Sketches, a book which resonated with thousands of readers anxious for those first-hand accounts. Louisa’s creative gifts were honed and perfected through her painful journey. This nineteenth century author now was helping me to understand my own grief. She, like me, seemed to find an energy in grief and took action to work through it. We shared a common spirituality even though our religious backgrounds were quite different (I being Catholic, she influenced by her father’s Transcendentalism). To her, God was a loving Father and faithful Friend who revealed himself in nature and in everyday life. I too related to God in this fashion, seeing him in the natural world and in people around me, feeling him through the love of family and friends, tasting and being nourished by him in the sacred bread and the wine, and discerning him through prayer, the scriptures and reflection. (from Chapter 4 of River of Grace, published by Ave Maria Press)

One thing leads to another

Before I knew it, I was feeling the urge to learn more about writing. This led to dreams of crafting a book … and the rest, as they say, is history.

Has Louisa acted as a grief counselor for you? What do you think of her writing on death? Does it strike a chord with you?

To all of you

THANK YOU for your readership and especially for your friendship over these past 5 years. I have had to pleasure of meeting many of you in person and yes, we gabbed about Louisa and will continue to do so. 🙂 This passion never grows old but only grows deeper, thanks to all of you!

Seems appropriate on this, the fifth anniversary of this blog, to share this video one more time with you where I express in music and images my love of the Alcott family and my gratitude to Louisa for being my grief counselor and writing guide:

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Places that are redemptive, and damning: Monday presentation by Stephen Burby at the Summer Conversational Series

Note: Mr. Burby kindly gave me his presentation (handwritten notes and all) in lieu of the fact that I was unable to attend the Monday session of the Summer Conversational Series. I thank him for doing so.

This is a longer post than usual as I found his presentation to be quite thought-provoking.

* * * * * * * * * * * * * * * * * * * * * * * * * *

Before attending this series, I was woefully ignorant of the concept of “place. ” Intuitively I understand about the need to create sacred spaces, whether it be places for prayer and contemplation, or rooms where I can create writing and music. I go to great lengths to create these spaces, considering every last physical detail such that entering these spaces immediately puts me into the “zone” where I can accomplish what I wish to do. Inhabiting such spaces brings me a great sense of happiness, peace and accomplishment.

A wider concept

I never understood however, the wider concept of place and sacred spaces; the speakers at last week’s Conversational Series have opened up a new world for me, a fresh lens from which to contemplate what I read in books and see around me.

3schoolpath

 

Louisa and place

560 steve burby1Mr. Burby’s presentation, “Out into the World:” Louisa May Alcott’s Sense of the World Beyond Concord.” continues to prime that pump. He begins by citing two classics by which he frames his discussion: Gaston Bachelard’s The Poetics of Space and Mircea Eliade’s The Sacred and the Profane. He maintains that Louisa’s writing,

“frequently deals with the transfer of the sacredness from good individuals, most often in the form of the sacred feminine, to the spaces they come to inhabit.”

The place of home

Bachelard states that

“All really inhabited space bears the essence of the notion of home …”

Little Women Dramatic Reading on Librivox

Little Women Dramatic Reading on Librivox

We see this time and again in Louisa’s works, particularly in Little Women, where the home is central to the development of the characters. Bachelard points out the positives (“We shall see the imagination build ‘walls’ of impalpable shadows, comfort itself with the illusion of protection…) as well as the negatives (“tremble behind thick walls, mistrust the stanchest ramparts.”). He also writes, “the house shelters daydreaming, the house protects the dreamer, the house allows one to dream in peace.” This is played out to perfection in Little Women.

Burby illustrates both sides of Bachelard’s notion of home, first through Hospital Sketches and My Contraband, and then through A Long Fatal Love-Chase.

Redemptive spaces

In Hospital Sketches and My Contraband, Burby shows how Louisa uses the Eternal Feminine (in the forms of nurses Tribulation Periwinkle and Faith Dane), to transform space from profane to sacred by injecting goodness, mercy, empathy, kindness and understanding.

hospital sketchesA woman’s influence

Burby cites Louisa’s description of the hospital in Hospital Sketches where she describes the “vilest odors” and chaotic atmosphere. Nurse Periwinkle seeks to transform that space:

“After bathing and dressing wounds for a number of them [the wounded soldiers], the scene is partially transformed.”

When she takes over the night shift, Nurse Periwinkle is given greater control over her environment, thus completing the transformation:

“By eleven, the last labor of love was done; the last ‘good night’ spoken; and, if any needed a reward for that day’s work, they surely received it, in the silent eloquence of those long lines of faces, showing pale and peaceful glances that lighted us to bed, where Rest, the sweetest, made our pillows soft, while Night and Nature took our places, filling that great house of pain with a healing miracles of Sleep, and his diviner brother, Death.”

Dual vocations

hospital sketches illustrationIf I might digress for a moment: in reading Burby’s citations and his analysis of Louisa’s transformation of space, it made me wonder about about Louisa. We know she had a vocation as a writer, but she also sensed a vocation for nursing. She was aware of her talent in both areas. She had had the opportunity to live each out, by nursing her sister Elizabeth which led to her ability to serve as a Civil War nurse, and by writing about such experiences and more. Both vocations served others well, one by healing and the other by providing.

As a nurse …

In each case Louisa could play out the role of Savior, a role both satisfying and burdensome to her. Yet which vocation was the most satisfying and which the more burdensome? Nursing brought her face to face with life at its core: brutally authentic, vulnerable and poignant. She could see the immediate consequence of her ministrations, whether it was to bring healing, comfort, consolation or just her presence as Death loomed. It was Lizzie who told Louisa how much that presence brought her strength as she faced her own painful end.

… and as a writer

Louisa_May_AlcottSuch life experiences were then expressed through Louisa’s writing, especially in Hospital Sketches and Little Women. Those of us who are writers know how cathartic, even exhilarating it can be to process feelings and get them down on paper, sometimes in poetic prose if we’re lucky. Writing brought its benefits to Louisa, relieving the chronic poverty and bringing material comfort and security at last to the “Pathetic Family.”

The costs

Both vocations exacted their costs. Nursing brought on the typhoid pneumonia which robbed Louisa of her good health for a life time. It sobered her greatly with memories that could never be forgotten.

Writing stole away Louisa’s cherished privacy and free creative expression, while too exacting a cost on her health.

So which vocation most satisfied Louisa? Which one was more worth the cost? Likely both were equally important and worked in tandem with each other. But these were questions that came to my mind as I read Mr. Burby’s presentation. There is no doubt that some of Louisa’s finest writing comes from her nursing experience.

Transformation of space brings redemption

civil war mulattoIn My Contraband, Burby shows how that same chaotic and dark space, the hospital, is transformed by presence of Nurse Faith Dane. Yet in this case, it is more about the transformation of persons within that space: Bob, the recently freed and wronged slave and his vicious white half brother who had killed Bob’s lover. While the half brother is not redeemed, Bob turns away from doing his brother harm thanks to the efforts of Nurse Dane. Burby writes,

“And it is here that the protagonist is able to assert her influence in the most positive way possible, turning the man–her contraband [to whom she was deeply attracted], the former slave, Bob–away from tragic revenge.”

The transformation is complete when Bob consummates their relationship in a symbolic and spiritual way, taking on her last name as his own; he would now be known as Robert Dane.

A place of damnation

long fatal love chase2Burby then turns to A Long Fatal Love-Chase to demonstrate how a beautiful space does not always denote goodness. He notes in particular a long description of the setting of Valrosa, Tempest’s villa in Nice. Burby believes that since Louisa had visited Nice during her first trip to Europe, it was likely she was describing a real place. He goes on to write,

“The description of Valrosa … suggests that is the finest setting for Rosamond, the protagonist … She is unconsciously the fairest and most striking ‘object’ in the setting.”

He points out that the beauty of the setting was illusory as Rosamond’s lover Tempest turns out to be her Mephistopheles.

Evil dominating

In this case, despite the presence of a female protagonist, Valrosa changed from a sacred to a profane place because of the domineering power of Tempest and the false premise upon which the space was based. Rosamond could not turn him.

Triumph of the Eternal Feminine

Thus Burby demonstrates Louisa’s realism yet again: life does not always turn out right. Goodness does not always prevail. In Louisa’s thrillers, goodness rarely prevails.

Yet the writing of hers that survives through the ages in the imaginations of many are the ones where the Eternal Feminine does in fact, triumph.

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Like Louisa May Alcott, many women served as Civil War nurses in various capacities

I recently reviewed an interactive book-on-app called Civil War Truce for a Catholic website (see review). It was developed by the 5-woman team of Davis Studio. Civil War Truce tells the fascinating story of a young nun, Sr. Mary Lucy Dosh, whose lovely singing and tender care impacted the lives of countless Civil War soldiers.

Similarities to another famous Civil War nurse

I saw many parallels between Sr. Lucy’s selfless and passionate commitment to the soldiers, and Louisa May Alcott’s. While Louisa ministered to the soldiers with her humor, storytelling (especially by becoming Dickens’ Sairey Gamp) and natural maternal instinct, Sr. Lucy quietly sang to her “boys” while caring for their needs.

Devotion trumps fear

Civil-War-NurseEach woman was fearless in her devotion to the men; each witnessed countless amputations, endured filthy hospital conditions and saw death on a daily basis. Each risked her life by exposing herself to infectious diseases.

While Alcott’s service took place in Washington, D.C., Sr. Lucy and the Sisters of Charity of Nazareth served in Kentucky. To Alcott and Sr. Lucy, it mattered not whether the soldiers were Confederate or Union.

Called to something greater

Sr. Lucy was originally known as Barbara Dosh. Her original goal in life was to be “admired, to have money and pleasure, and enjoy myself in the world.” She attracted admirers with her gracious singing and was eventually adopted by the wealthy Stout family who granted her every wish. Barbara had spent several years at St. Vincent’s Academy before being adopted by the Stouts and felt homesick for her companions, the sisters. This helped to instill in her the call to the religious life.

Called to serve and to suffer

From there she and the other sisters were called to serve as nurses during the Civil War. Like Alcott, Sr. Lucy contracted typhoid but unlike Alcott, did not survive. Both women however, impacted the lives of the soldiers in such a degree that they were honored by them: soldiers who had been attended to by Sr. Lucy stood by her body round the clock until a memorial service could be held. In Alcott’s case, the Concord regiment stopped in front of her home at Orchard House (where she had been sent due to the typhoid, and pneumonia) and gave her a salute.

Alcott’s lasting legacy of course was Hospital Sketches.

Lincoln’s commendation

Abraham Lincoln praised the sisters in “all forms of benevolence and charity;” their devotion to the soldiers and their efficiency in their work—his full statement can be read in the accompanying graphic.

 

Civil War Truce offers the fascinating and well-researched story of courage, compassion and charity shown by women the religious life in service to our soldiers.

You can find out more about Civil War Truce at www.civilwartruce.com. You can download it to your Apple on Android device; the cost is $2.99. As previously mentioned, the app is an interactive book with animation, sound effects, old films and vintage photographs. The layout is attractive and reminiscent of the Civil War era. Exhaustive notes and a bibliography are provided. I recommend viewing it on a tablet as the type is quite small.

Alcott Immersion Warning: the wondrous things that can happen when you study too much!

After four years of constant reading, study, writing and pondering on one family, I think I understand now how actors prepare for their roles, and the subsequent consequences of their immersion into their characters.

Taking on the Louisa persona

I’m acquainted with a couple of people (Jan Turnquist and Marianne Donnelly) who, as actresses, take on the role of Louisa May Alcott to share with school children and adults alike in various educational venues. They dress like Louisa, walk as she might have walked, speak like they imagine she would have spoken. They share her stories, her feelings, her passions, her humor, her pathos and every audience is treated to a living, breathing Louisa.

jan turnquist-horz

Jan Turnquist (L) and Marianne Donnelly as Louisa May Alcott

It makes me wonder just how much of Louisa they have integrated into themselves. I’ve emailed them to ask and will share their answers with you as they come.

Who is your literary heroine?

Are you immersed in Louisa? Or perhaps Jane Austen, Emily Dickinson or Charlotte or Emily Bronte? How about Margaret Mitchell? Do you find yourself becoming like your literary heroine?

jane-austen-horz-horz

Jane, Charlotte, Emily B., Emily D. and Margaret

While I am no actor, I certainly know now what it is like to immerse yourself into a character and to have that character become a part of you. For me it is not only Louisa but Lizzie as well.

Channeling Lizzie Alcott

I’ve read Lizzie’s letters (some of which I have shared with you, see previous posts) and I’ve read family letters about Lizzie. I know of her suffering and struggles. I know how much her family and friends loved her and why. And I find myself wishing to emulate her.

lizzie alcott2Lizzie as comforter

Recently I had to go into the hospital for a minor surgical procedure (which ended well). With each person that I encountered, from the nurses to the anesthesiologist to the surgeon himself, I found myself channeling Lizzie, working to be as kind as I imagined she had been. I tried to be of good cheer, using humor to diffuse fear as I imagined she might have done. It came as naturally as breathing. I found her presence inside of me to be a great comfort.

This was not the first time I had channeled Lizzie while in the hospital. Last year after a car crash I found myself in the ER, doing the same thing.

Now I find I am inadvertently channeling Louisa as well, in my writing.

Loss, grief, transformation … and Louisa

The book I am working on to be published sometime in late 2015 or early 2016 is on loss, grief and transformation. As this has been the story of my life since my mother passed away four years ago, I find easy to write about the subject. I do not fear loss or grief and know that transformation is life-giving and empowering, filling my heart with joy and gratitude.

Louisa’s mostmemorable writing

From an 1897 edition of Alcott's "Hospital Sketches" historicaldigression.com

From an 1897 edition of Alcott’s “Hospital Sketches”
historicaldigression.com

I always found Louisa’s writing on this same subject to be her most brilliant. Poignant, hopeful, gritty, honest and moving, her work has resonated with me and consoled me. Some of her most memorable writing is about noble John Suhre’s death in Hospital Sketches. Generations of girls and women have wept openly over the death of good Beth March in Little Women. I found great comfort in Christie Devon’s experience of her dead husband David in Work A Story of Experience when a breeze blew past his flute, creating music and a sense of his presence in the room.

Grieving through reading and writing

I only recently realized that I write about loss, grief and transformation as a way of grieving over my mother. I never cried at length over losing her, never felt despair, never felt lost. I always wondered what was wrong with me that I didn’t grieve in the usual way much as I loved her. I now know that I am working through my grief in my writing.

Louisa_May_AlcottThe art inherent in grief

Louisa did the same when she lost Lizzie. She was intimately involved in Lizzie’s care, staying up all night to give her sister the strength she needed to endure her suffering. When Lizzie died Louisa was relieved that her sister was “well at last,” past her pain into a new and glorious eternal existence. After an initial spell of despair, Louisa admitted that she didn’t miss Lizzie as much as she thought she would indicating that her sister helped her spiritually. Louisa worked through her grief in her writing. She as much as admits it in Hospital Sketches (get quote). There is no doubt that Beth March is in fact, the perfected Lizzie.

My expert guide

Louisa worked through her grief in her writing and she is teaching me how to do the same. I am channeling the writing I admire most from my literary heroine and it gives me shivers to recognize that connection. My own humble work is a mere shadow of Louisa’s but it is comforting to know that I am following an expert guide.

  • What literary figure do you admire?
  • How have you immersed yourself in her life (or his)?
  • What traits have you inadvertently taken on?

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Holiday programs at Louisa May Alcott’s Orchard House

Christmas wouldn’t be Christmas without the wonderful holiday programs at Orchard House! Here are their offerings:

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annual open house

PLEASE NOTE THIS EVENT IS FOR MEMBERS ONLY.

Interact with Living History portrayers in the festively decorated house, enjoy seasonal refreshments and music,
catch up with old friends — or make new ones — and shop our Museum Store for great gifts!

 Please click to send an e-mail RSVP now or
phone 978.369.4118 x104 by December 10th 

Parking available one short block from Orchard House,
off of Hawthorne Lane 
Click for a map

Don’t miss the Annual Holiday Program!

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A New England Soldier’s Christmas honoring the sesquicentennial publication of Hospital Sketches
Weekends through December 22nd. Click for details or phone 978.369.4118 x106 for reservations.

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To order this or any other “Scrabble,” please click here to download and print an order form,
phone 978.369.4118 x107, or fax a credit card order to 978.369.9611

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Please click on May Alcott’s drawing above to read more about
this year’s Annual Appeal, or, click to donate securely on-line now

Your generous gift and its match
will make a tremendous difference!

 ~ Louisa May Alcott’s Orchard House
thanks you for your continued support ~
(Orchard House suffered revenue loss during their busiest month in October due to the government shutdown even though they are a private organization. That revenue needs to be recovered; your donations are especially helpful. Editor)

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Susan’s ebook, “Game Changer” is now available From the Garret – download for free!