I finally finished reading Moods a few weeks ago but just couldn't comment on it. After reading both the 1864 and 1882 versions, I concluded that the book left me flat. The characters felt rather two-dimensional. Both versions ended differently and each ending seemed convoluted. It left me feeling the way I did after reading …
Was Thoreau a romantic? Final thoughts on “Walking”
Much has been said about how unconventional Henry David Thoreau was. Although brilliant he was solitary, decidedly different, very blunt, not especially attractive physically, and he was prone to "queer" habits such as climbing trees, imitating bird calls and the like. Yet women did find Thoreau attractive. Louisa May Alcott had a schoolgirl crush on …
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Final Thoughts on “Mr. Emerson’s Wife”
Reading the last few words, I slowly closed Mr. Emerson’s Wife and felt a welling up inside of emotion. I was so tied to the character of Lidian Jackson Emerson that I felt they were her emotions too. This is how Amy Belding Brown's book hit me. I lived inside of Mr. Emerson's Wife for …
Moods: Sylvia’s Choice
I enjoy how Louisa describes Geoffrey Moor and Adam Warwick, the two love interests of heroine Sylvia Yule through comparing and contrasting how they respond to similar situations. Here's one scenario: Sylvia lost her mother at an early age and she has grieved throughout her young life over that loss. She first meets Adam Warwick …
The Conundrum that is “Moods”
I'm about a third of the way through both versions of Moods and have concluded that this book is a total mess! Now don't get me wrong, I am enjoying it, but considering the capital Louisa May Alcott had as a famous author, you have to wonder why she didn't just release the book the …
Louisa May Alcott’s spirituality, and her better self in Sylvia Yule
Finishing up chapter V in the 1864 version of Moods ("The Golden Wedding"), I walked away with two thoughts, regarding Louisa's spirituality and her romanticized self in Sylvia Yule. Louisa May Alcott's Spirituality I want more than ever to write a longer treatise on the spirituality of Louisa May Alcott. Although she did not belong …
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A brief lesson (for me) in editing
I admit it's a bit confusing reading both versions of Moods at the same time but it's sure been an eye-opener with regards to editing. As I sheepishly admitted in a reply to a comment from a recent post, I thought once a book was published that it was set in stone. Reading Little Women …
How “Moods” is helping me to get to know Louisa May Alcott, and myself, better
Progressing through Moods, I can see that even though I love it, it may not be a book to suit everyone's tastes. Of all the current biographies (meaning in the last 30 years) that I've read or are reading on Louisa (Louisa May Alcott: A Modern Biography by Martha Saxton, Louisa May Alcott The Woman …
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Getting to know the principal characters in “Moods”
The 1882 version of Moods includes 3 interesting chapters which develop the principal characters of the novel and their interaction with each other. Geoffrey Moor Chapter 2 gives us a glimpse into Geoffrey Moor, based upon the loyal, lifelong friend of Bronson Alcott, and the Good Samaritan who quietly and discreetly helped the Alcott family …
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“Moods” so far
Moods was Louisa May Alcott's first serious novel and her"baby," most likely the book that Jo referred to in Chapter 27 of Little Women, "Literary Lessons." Louisa describes Jo's writing process which likely mirrors her own. "Falling into a vortex," as she calls it, it's like Louisa/Jo steps into another dimension, oblivious to the outside …
