Chapter XXXII. Tender Troubles

Jo and Beth shared a special relationship, including things in common. My take on “Tender Troubles” from Little Women.

Little Women 150

By Susan Bailey

Marmee was worried about Beth and for good reason. Her daughter was quieter than usual, even withdrawing from her father. She would cry when visiting with Meg’s babies. Her music was tinged with sadness. Unable to draw Beth out, Marmee asked Jo to find out what was wrong.

Jo thought she had the answer: Beth was in love with Laurie. But in her lack of experience with matters of the heart, she misread the signs. Does a girl in love stare out of a window with a tear sliding down her cheek? Does she cry over her little niece and nephew because she is longing for Laurie? Why would she withdraw from her family?

Jo tried to look at the bright side when it came to her favorite sister even if the signs were pointing in the opposite direction. Hoping that Beth had moved beyond her lingering…

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Chapter XIII. Castles in the Air

from LW 150 blog: Dreaming of “castles in the air” and where they may lead us.

Little Women 150

By Angela Hubler

“Wouldn’t it be fun if all castles in the air which we could make could come true and we could live in them?” says Jo, in chapter 13, “Castles in the Air.” Jo thus encourages utopian dreaming, not only by Laurie and her sisters but by generations of readers, revealing why this text has been a touchstone for artistic and ambitious women for 150 years. Laurie and the March girls express their hearts’ desires, and as the novel progresses each sister achieves—at least to some degree– what she has pined and labored for: Meg is mistress of the “lovely house, full of…pleasant people”; Jo writes books “out of a magic inkstand”; Beth remains “at home safe with father and mother” until she flies in at “that splendid gate”; and Amy goes to Rome and develops her talents as an artist.

Of course, generations of critics have argued…

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