Greetings from the Beyond

You may recall the last post I wrote about Work: A Story of Experience where I reiterated the religious importance of this autobiographical novel by Louisa May Alcott.  I was moved by the consolation Christie Devon received as described in chapter 19, “Little Hearts-Ease.” She heard husband David’s “voice” as the breeze blew near his flute.

From the collection at the Concord Free Public Library www.concordlibrary.org

From the collection at the Concord Free Public Library http://www.concordlibrary.org

I wrote about similar experiences when my mother passed away.

Today, April 22 marks the third year anniversary of my mother’s passing. God gifted me with the most exquisite greeting from my mother today, a greeting that I believe Louisa would have greatly appreciated.

I had mentioned my mother’s affiliation with Wellesley College, first as a Botany major, and then as a laboratory assistant in the  Botany department. As a child she picked wild flowers in the woods with her older sister Meredith. Her father maintained a splendid English garden at the old homestead, a beautiful Tudor in Swampscott, MA (ironically, one of the places where Abigail took Lizzie hoping the sea air would improve her health; Louisa imagined the scene in Little Women with Jo accompanying Beth to the shore).

littlewomen00alcoiala_0421

I took my lunch hour walk today, finding myself over at the college even though I had not planned on going there. It was like I was directed to go. When I got there, I was greeted with most beautiful scene straight out of my mother’s heart:

640 lake and flowers2

The entire hillside was covered with the smiling faces of yellow and white daffodils:

640 college with flowers

The tears welled up as I felt the presence of my mother so deeply within. I knew just how Christie Devon must have felt. I imagine Louisa must have had similar experiences remembering her sister Lizzie, her “spiritual guide.”

The visit was short and sweet but it greatly lifted my spirits. God indeed is everywhere inside us, around us and if, as Louisa did, we have that interior vision to see, we will be consoled.

Here’s the complete set of pictures I took during that extraordinary walk.

This slideshow requires JavaScript.

Here’s a tease.

The Governor Winthrop Fleet

The Governor Winthrop Fleet

I’ve mentioned before possible family connections with the Alcotts with the discovery that the first secretary of the Louisa May Alcott Association sported my maiden name of Hoyle (Carrie Hoyle); I saw a note she wrote to John Pratt inviting him to the opening of Orchard House (see previous post). I also know that Abba and Lizzie spent time in Lynn and Swampscott; Lynn is where the Breed family settled in the 1630s, supposedly coming over on the Governor Winthrop Fleet, the same fleet from which Bronson’s ancestors came (one Thomas Alcocke; Bronson’s father was known as Joseph Alcox and Bronson changed the name to Alcott). Unfortunately  the manifest is incomplete so the Breed Family Association cannot prove it.

I have since discovered the name of one of the doctors consulted by Abba during her stay on the North Shore that may possibly be connected to the Breed family. This would be the closest tie yet and a most exciting one to boot!

I’m researching this possibility and will let you know how it turns out. A direct connection would be sweet. :-)

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The solace I find in reading, writing and Louisa May Alcott

I rarely devote posts to personal musings but I just had to today.

stephen and meWe just dropped off our twenty-seven year-old son at the bus station as he makes his way back to New York after a week at our home. He was granted an unexpected vacation from his job as a preschool teacher and was longing for some peace and quiet, away from small children, the noisy city and his very busy life.

One of the toughest aspects to me of being a mother are these comings and goings. My husband and I enjoy our quiet life post-children so it’s always an adjustment having them back in the house. It’s worth the adjustment because I love being with both of my grown children, sharing in their lives, talking about their problems and their dreams.

Every sacrifice I ever made as a mother with regards to sleep, my body, my career and my art I would make again in a heartbeat. The love and companionship of a child, even a grown adult child, fills a very special place in my life.

And, after every visit I grieve. The child goes back to his or her life and I go home and have a good cry. It seems that, at least for that moment, nothing will console me.

my heart is boundlessIt is then that I turn to a book, usually about Louisa. This time it was My Heart is Boundless: Writings of Abigail May Alcott, Louisa’s Mother edited by Eve LaPlante. I guess, instinctively, I needed to read about another mother’s love and commitment to her children.

In no time I lost myself in the past, reading letters from Abba to her brother Sam and his wife Lucretia about the birth of Anna Bronson Alcott. The lines she wrote of her euphoria at having a healthy baby girl, and the subsequent letters detailing the joy she felt in being a mother to this child really spoke to this mother’s heart. Soon I felt consoled.

One of the greatest gifts of my life is this newfound love of reading, writing and studying the life of Louisa May Alcott. It began as a means of finding others who also loved Louisa and grew into something far more. It is a source of great joy, deep fulfillment and a means of discovering the validity of my own creative expression.

For the first time in my fifty seven years, I have fully embraced the creative in me. Rather than fight with it or run away from it or even dread it, I now revel in it. It often feels like a long drink of cool water after too much time out in the sun. It is deeply satisfying.

It has taken me eight years to adjust to being an empty nester and I’m sure I will continue to suffer setbacks. But reading, writing and studying Louisa May Alcott fills the void to overflowing.

I shed my tears missing my son. Two hours later I am writing this after enjoying time with one of the world’s great mothers, Abigail May Alcott.

Life is good.

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Louisa’s poetic tribute to her mother reveals beautiful insights on death

I have long maintained that Louisa’s most poignant writing revolves around death as evidenced in Beth March’s passing in Little Women and John Suhre’s noble death in Hospital Sketches.

Recently I found a blog post on the SevenPonds site that states so eloquently the very thoughts I’ve harbored about Louisa’s insights into death – that it is not a hopeless end but is in fact, a beautiful new beginning.

Here is a teaser from that blog post:

from the cover of Marmee and Louisa by Eve LaPlante

As its name suggests, “Transfiguration,” by Louisa May Alcott, is about change, and specifically change for the better. The poem was written about Alcott’s mother after her death, and it’s filled with so much love and admiration that one can’t help but feel better about death after reading it. The poem shows a sincere reverence for death, viewing it as an improvement on life. The first stanza makes this point perfectly clear:

Mysterious death! who in a single hour
Life’s gold can so refine.
And by thy art divine
Change mortal weakness to immortal power! (1-4)

Click to read the article in its entirety

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My 3 days with Louisa May Alcott (part four): connections between Louisa May Alcott and Margaret Fuller

Note: This post is longer than usual. I had considered running it in two installments but thought it would lessen the impact of its message by doing that.

So sit back with a cup of coffee, relax and read. :-)

Two ladies,
same vision

Two New England feminists, both heavily influenced by transcendentalism.

Both in the company of Ralph Waldo Emerson, Henry David Thoreau and Bronson Alcott.

Both very reform-minded.

Both would forever change history for women.

Louisa May Alcott and Margaret Fuller were neither friends nor colleagues yet they shared a similar passion for women’s rights, believing it was best for society.

Continuing with the theme of yesterday’s post, Pulitzer prize-winning author John Matteson drew connections between these two women while highlighting their different approaches.

What was Margaret Fuller’s vision for women?

Margaret Fuller, much like Bronson, believed in attaining spiritual perfection. She was the most passionate of the transcendentalists, that passion often spilling over to the individuals themselves.

Much more than a flirt …

Hester Prynne from The Scarlet Letter by Nathaniel Hawthorne

It is titillating to read about her intense relationships with Emerson and Nathaniel Hawthorne (not a transcendentalist, but he did base the heroine of The Scarlett Letter on Margaret – see Wikipedia on Margaret Fuller) but it is also distracting. Margaret may have been a flirt but she was brilliant.

Living her words

A woman’s voice was needed in the Transcendentalist movement and she brought it. While Bronson and Emerson talked a great game regarding the value and worth of women, Margaret lived it, educating women through her writing and her brand of “conversations.”

The vision laid out

Women in the Nineteen Century is Margaret’s tour de force, where she lays out her vision for women.

Matteson laid out Margaret’s demand for full rights for women, well beyond the political and economic; this would include equality spiritually and intellectually.

Bringing virtue to the marketplace

A reformer at heart, she believed that women needed to be in marketplace in order to bring about reform. Taking the traditional role of the wife leading the husband to greater virtue, she extends it out to the greater society: women in business would lead the marketplace (and the men in it) to greater virtue.

Man versus Men, Woman versus Women

Margaret was a philosopher greatly influenced by Transcendentalism. She, like Bronson Alcott, believed in attaining spiritual perfection. Part of that perfection involved gender. Daily reality had placed men and women in narrow roles and neither gender was free because of what she called, “debased living.”

Note that the original title of Women in the Nineteenth Century had been “The Great Lawsuit: Man versus Men, Woman versus Women”; it was originally a series of essays serialized in The Dial, the Transcendentalist magazine that Margaret edited for Ralph Waldo Emerson.

Effects on marriage

The distortion of the genders in turn, warped the institution of marriage Margaret believed that the dependency of women on men had debased marriage and sex. She remained single for several years until she had a child with Italian revolutionary Giovanni Angelo Ossoli, a marquis who had been disinherited by his family. While it is assumed they were married but there is no hard evidence that they did (source: Wikipedia).

Lead by deeds

Placing reform above all else, Margaret felt that women did not necessarily need to rule but to lead by example. In order to do that, it was imperative not to impede the soul. Each man and woman had to be free to realize their full potential, be who they were meant to be.

Benefits to society

This freedom, however, was not meant just to satisfy individual wants. Here Margaret led by example. She denounced not only the treatment of women but African and Native Americans as well. She advocated for reform in prisons, visiting women in Sing Sing in October of 1844 and even staying overnight (source: Wikipedia). She raised concerns for the homeless, especially in New York (Ibid).

On the same page

If you are familiar with Louisa’s beliefs on women and reform, you can see in similarities already between the two women from Matteson’s description of Margaret’s vision.

Louisa’s vision for women and society

Spiritual father …

Louisa came from one of the founders of Transcendentalism, Bronson Alcott. He was all about spirituality, perfection and becoming divine.

… and reformer mother

But she also came from her mother Abba, a pragmatic reformer. Unlike her philosophical husband whose head was in the clouds, Abba practiced her Christianity day to day, often giving to others out of her family’s own want (Bronson practiced this also, believing that God would always provide).

Bronson exuded serenity as he sought to perfect himself. Abba passionately wrestled with life and others to bring forth reform. Her most noteworthy efforts were in Boston in the 1840s as one of the first social workers.

Societal change needed

Coming from such a background, it is no wonder that Louisa felt that society must be reordered. It began with freeing the slaves.

Belief coming from experience

Matteson noted an incident when Louisa was 3 which most likely opened her eyes to African Americans as equals. While living in Boston, she fell into the Frog Pond; she was rescued by a black boy. She notes in her writings that this boy lit the flame of abolition in her heart.

Living out that belief

Throughout her life, Louisa helped her parents shield and transport runaway slaves to Canada; their home in Concord, known then as Hillside, was on the underground railroad.

Illustration by Flora Smith for The Story of Louisa May Alcott by Joan Howard.

With pride, Louisa notes that she served tea to John Brown’s widow at Orchard House.

An rare open statement

Louisa didn’t usually state her feminist views blatantly in her fiction writing. One exception was Hospital Sketches where she writes, “I’m a woman’s rights woman, and if any man had offered help in the morning, I should have condescendingly refused it, sure that I could do everything as well, if not better, myself.” (from Chapter 1, Hospital Sketches)

Another was a short story, “Happy Women.” This excerpt explains in a nutshell Louisa’s vision for womanly happiness:

This class is composed of superior women who, from various causes, remain single, and devote themselves to some earnest work; espousing philanthropy, art, literature, music, medicine, or whatever task taste, necessity, or chance suggests, and remaining as faithful to and as happy in their choice as married women with husbands and homes.

Subterfuge in her writing

Most of the time she teased out her views in her writing. She would describe the lives of purposeful women who earned their keep and remained independent. Matteson described the importance of work to Louisa saying that life was full of work that needs to be done, and it needs to be done by both sexes.

Becoming the best she can be

Louisa believed as did Margaret that women needed to develop themselves for if a woman developed her talent fully and used it for others, she would be happy. And just as Margaret led by example, so did Louisa, becoming a best-selling author.

Using her bully pulpit

In that position, Louisa could wield a lot of influence and she took every advantage to use it. While Jo March is often cited as the best example of an independent woman, Matteson used the example of Polly from An Old-Fashioned Girl who takes her well-off, bored and disgruntled friend Fanny to visit her sisterhood of working, purpose-filled women. Fanny’s life is changed forever after seeing that life could be so much more than the emptiness of parties and fashion.

Giving your best

Louisa was also greatly valued sacrifice. Like Margaret, a woman’s right to reach her potential was not just for herself; she was to give her best to those around her. This belief plays out again and again in her books.

Duty’s faithful child

Bronson distrusted Louisa’s selfless intentions until she became a nurse. When he saw how she was willing to give up her own life for others by nursing, he wrote his famous sonnet to her, “Duty’s Faithful Child.”

Using her right to vote

Matteson ended his lively presentation with an ironic anecdote. Noting that Louisa was the first woman to register and then to vote in Concord, he quipped that the registrar gave her a literacy test! She also was required to sign her name to prove she could write.

It was the one time in her life that she was in a hurry to pay her taxes so she could qualify. :-)

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My 3 days with Louisa May Alcott (part two): “Marmee and Louisa:” author Eve LaPlante unveils her important new book

Everyone knows the phrase, “Behind every great man stands a woman.”

In the case of Louisa May Alcott, it’s a “great woman.”

Who was the woman that stood behind her? She is Louisa’s mother, Abigail May Alcott, commonly known as Abba.

An inside look at the life of Abba Alcott

Eve LaPlante, author of Seized, Salem Witch Judge and American Jezebel is uniquely qualified to write on the life that woman: she is the direct descendant of the Reverend Samuel Joseph May, brother and confidant of Abba.

Using newly discovered letters and journals belonging to Abba, Marmee and Louisa: The Untold Story of Louisa May Alcott and Her Mother promises to be a revealing study of a dynamic, highly intelligent woman. Abba’s unwavering faith in and support of Louisa proved to be the inspiration for and strength behind a prolific author and an iconic classic.

Eve LaPlante’s remarks at the Orchard House Summer Conversation Series

I had the privilege of hearing LaPlante speak about and read from her new book at the Orchard House Summer Conversation Series on July 17.

Family records passed down

Before reading, LaPlante shared how her Aunt Charlotte had passed down detailed family records.

From Anne Hutchinson …

From those records LaPlante learned that she was the 11th generation granddaughter of Anne Hutchinson, the Puritan who defied the elders and was expelled as a heretic; this spawned American Jezebel.

… to the Witch Judge …

She also discovered that she was related to Judge Samuel Sewell of the Salem Witch Trials who was the only judge to repent. She told his story in Salem Witch Judge.

… to the Alcotts

Being related to these notable people was just the beginning of the story. As she continued to trace her family history, LaPlante discovered she was directly related to the Reverend Samuel Joseph May, brother of Abba, making her a first cousin of Louisa May Alcott.

Digging deeper

This gave LaPlante unprecedented access to personal papers and letters written by Abba. It was commonly thought that the vast majority of these papers had been destroyed by Louisa at her mother’s request.

Obviously some of those papers did manage to survive. What did they reveal? How do they change the legend of Louisa May Alcott?

Marmee’s significance

Marmee and Louisa confirms what women often suspected – that Abba was Louisa’s rock just as Marmee had been Jo’s. Louisa made it clear in her semi-autobiographical classic; why then has Abba been largely been ignored?

Eve LaPlante is seeking to set the record straight with Marmee and Louisa and its companion volume, My Heart is Boundless featuring the aforementioned journals and letters.

Inside the woman

LaPlante has discovered many papers that reveal Abba’s inner life. She was a highly intelligent, well-educated and ambitious woman whose writing talent surpassed that of her famous daughter.

Abba’s true ambition

Abba’s life was marked with frequent frustration, anger and disappointment. As a woman born in the Victorian era, she had few options and no real right to determine her own destiny.  Feeling stifled in her limited role, she poured herself into her children hoping that they could achieve what she could not – autonomy.

The connection

As Louisa shared her mother’s temperament, the two became soul mates: utterly dependent and totally connected. Quoting LaPlante, “Abba was Louisa’s muse.”

Did other women influence Louisa?

Louisa’s had many intellectual mentors but only the men are usually mentioned: her father Bronson, Ralph Waldo Emerson, Henry David Thoreau and Nathaniel Hawthorne. Rarely mentioned are the female intellectual giants that Louisa was exposed to through her mother: Margaret Fuller, Elizabeth Peabody and Lydia Maria Child.

Why has Abba been ignored?

Few of Louisa’s biographers made much mention of Abba’s intelligence and accomplishments. Despite the fact that Louisa confirms Abba as the primary influence in her life as shown in Little Women, scholars instead most often cited Louisa’s father Bronson as her main influence.

A plausible explanation

Jan Turnquist, executive director of Orchard House offered a possible explanation for this discrepancy. Not so long ago it was considered improper for a well-bred woman to be mentioned in public apart from her birth, marriage and death. This is Turnquist’s theory as to why Abba’s memoir, written by Bronson and Louisa, never came out. Instead Louisa wrote about her mother through her stories, thus protecting her mother’s reputation.

Old habits do indeed die hard.

Louisa’s vow

Louisa understood early that her Marmee was the most important person in her life. At the age of ten she vowed in her heart to be Abba’s protector after the Fruitlands debacle, a vow manifested in this tender poem:

Eve LaPlante reads from her book.

To Mother
by Louisa May Alcott

I hope that soon, dear mother,
You and I may be
In the quiet room my fancy
Has so often made for thee,—

The pleasant, sunny chamber,
The cushioned easy-chair,
The book laid for your reading,
The vase of flowers fair;

The desk beside the window
Where the sun shines warm and bright:
And there in ease and quiet
The promised book you write;

While I sit close beside you,
Content at last to see
That you can rest, dear mother,
And I can cherish thee.

LaPlante’s contention is that we cannot understand Louisa apart from Abba. Thanks to Marmee and Louisa, a much fuller revelation of Abba Alcott will be made public at last.

A sneak preview fans the flame

After reading the introduction to the book, LaPlante paused to ask if we’d like to hear more. Every head in that spellbound audience nodded “yes” vigorously.

We only wish she could have read the entire book!

Marmee and Louisa: The Untold Story of Louisa May Alcott and Her Mother will be released this November 6th,

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Louisa continues to inspire me

Thanks to my involvement with Louisa May Alcott and this blog, the writer in me has reawakened. I wanted to share with you two guest posts that I wrote for a couple of spiritual blogs:

Your support of this blog has given me a new confidence as a writer and I want to thank each and every one of you!

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The vacation of my dreams: 3 days with Louisa May Alcott

What’s your dream for the ultimate summer vacation?

Is it a trip to a new and/or exotic place?

Is it time all to yourself to do whatever you wish?

How about both?

That’s been my dream for many summers and this year, it came true.

New and exotic places

Back in June, our whole family (including two twenty-something children) traveled to Los Angeles to visit with my brother-in-law and his wife. He directs for The Simpsons and has been with the show approximately fifteen years. We did Disneyland, the whole Hollywood thing, and caught up and reconnected with each other. It was wonderful and I still miss them both very much.

Then there was this week.

Doing whatever I wished

I had four days off all to myself as my husband’s vacation time was used up. I indulged in my passion and spent a Louisa May Alcott-themed vacation.

It far exceeded all my expectations and stoked the fire of my passion all the more.

How does one spend a Louisa May Alcott-themed vacation? If you live near Concord and Cambridge, that’s easy!

Summer Conversation Series

I spent the first two days at Orchard House for their annual Summer Conversation Series. Speakers included Eve LaPlante, (whose new book, Marmee and Louisa The Untold Story of Louisa May Alcott and Her Mother will be a blockbuster) and John Matteson, Pulitzer Prize-winning author of Eden’s Outcasts: The Story of Louisa May Alcott and Her Father.

I will offer individual posts for these two speakers. Their presentations just blew me away!

Becoming part of the family

I got to reconnect with my dear friend Gabrielle Donnelly, author of The Little Women Letters and made many new friends.

The best part was being able to spend two days with people as passionate about Louisa as I am. I felt like I was at home.

The picture features, L to R, front: Sylvia Willis and Gabrielle Donnelly; back: Lis Adams, director of Education at Orchard House, and Jan Turnquist, Executive Director.

Affirmation

Feeling incredibly empowered and affirmed in my writing with regards to this blog and the book project I’ve undertaken, I felt like God was shouting at me, “Yes, yes, you can do this, I want you to do this!”

The Summer Conversation Series far exceeded my expectations and I can’t wait to share with you highlights from LaPlante’s and Matteson’s presentations.

Detour to Walden

Having taken my kayak, the Sylvia Yule with  me for the trip, I stopped at Walden Pond to observe the place where Henry David Thoreau made his mark.

The pond is small and the water pristine. I saw the cove where Thoreau had built his little house and marveled at the beauty.

The day was incredibly hot and every nook and cranny of the pond was filled with swimmers. Several people were swimming across the pond.

I too did my share of swimming,  never wanting to leave the warm and clear water.

I will have to come back and walk the trail and see the pile of stones where  Thoreau’s house once stood.

The Holy Grail – Houghton Library

Next it was the long-awaited trip to Houghton Library at Harvard University. I have longed to go there ever since I visited the Special Collections room at the Concord Library (see previous posts, part one and part two).

Shaky knees!

I was excited and scared all at once. Harvard is the home to some of the greatest scholars in the world. Who was I to go visit their library? I was surprised when I got to the train station and found my knees literally shaking! (It didn’t help that station had a huge, long, drop to the bottom where the subway was and the escalator was excruciatingly slow! I felt like I did sitting in a seat in the back row of an old theatre, where you feel pitched forward, really to fall into the audience. It was terrifying!)

The grounds where giants walked

Arriving at Harvard, I felt a surge wash over me as I thought of all the great minds that had walked the campus, especially Ralph Waldo Emerson. The courtyard was crowded with students and visitors from all over the world.

They are now my family

Little Women illustrated by Jessie Wilcox Smith

Upon arriving at the library, I sat down in the reading room and ordered the first batch of papers that I wanted to read.

The first time I read papers handwritten by Louisa (back at the Concord Library), it felt mystical, spiritual. This time as I read diaries by Anna and Lizzie, it felt like I was reading the words of family members.

And I knew The Alcott family was now an integral part of my family.

Details coming …

In the next post, I’ll share details of Eve LaPlante’s reading of her new book. Mark November 6 on your calendar (and not just because it’s Election Day!) – her book will be available then.

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Louisa the rabid fan

Louisa May Alcott hated being famous. Or so she said. Stories abounded of how she often masqueraded as a maid before answering the door at Orchard House to discourage would-be fans. She knew that readers imagined her looking like the dashing young Jo with her two tails of chestnut hair flying behind her when in fact, she was old, frail and sickly.

Benefits and pitfalls

Louisa guarded her privacy jealously and didn’t appreciate the attention of her fans. Still, the fame she had acquired had its benefits, allowing her to meet many of the most prominent writers and reformers of her day.

The object of Louisa’s hero worship

She may have abhorred hero worship but that didn’t stop her from indulging in it herself with her favorite author, Charles Dickens.

Having gratified myself in hero worship through this blog (and having acted on it with numerous visits to Orchard House), I had to smile when I read of “A Dickens Day,” a piece Louisa wrote which became a part of Shawl-Straps, a memoir of her time in Europe.

Touring Dickens’ London

Here Louisa details her sight-seeing trips around London to places immortalized in the books of Charles Dickens.

Sairey Gamp in front of her house

Madeleine Stern in Louisa May Alcott A Biography writes of Louisa seeing the street where Sairey Gamp had lived. Sairey Gamp was one of Louisa’s favorite characters and she often assumed the role to bring humor into difficult situations. Sairey Gamp was in constant demand at the Union Hotel Hospital where Louisa served as a Civil War nurse.

Stern writes,

“The genial Mr. Tyler [Louisa’s guide in the city] was delighted to find that to Louisa St. Paul’s was the place where Ralph Nickleby set his watch, and Westminster Abbey the home of the maid of honor in Mrs. Jarley’s waxworks.” (pg. 158, Louisa May Alcott A Biography)

Louisa filled her notebooks with such references to Dickens which she later turned into “A Dickens Day.”

Louisa the pilgrim

I have to admit I know little of Dickens so I didn’t recognize most the references Stern made to Dickens characters and sites. But as a fellow hero worshipper, I can surely empathize with the feelings Louisa must have had visiting those places. She went on her pilgrimage just as we have.

Watch what you wish for!

Charles Dickens

Louisa had the one privilege I and other Alcott enthusiasts will never have – meeting the author in person. Perhaps we should count ourselves lucky! Louisa was less than enthusiastic seeing Dickens in person. Stern writes,

“… the magic was gone, and in its place was only the foppishness of a red-faced man with false teeth and the voice of a worn-out  actor … there was nothing genuine about him.” (pg. 157, Louisa May Alcott A Biography)

Louisa was deeply disappointed and, as much as she still loved his books, she would never be able to shake the image of the man.

Respect for her fans?

Perhaps that’s why she herself was so sensitive about the perception her fans had of her. Why dash the image of Jo March, replacing it with a curmudgeon, sick and frail? Let the fans have their dream.

Louisa was probably too hard on herself but as much as she claimed to dislike her fans, she apparently respected them. And she knew who paid the bills!

2012 Summer reading challenge hosted at www.inthebookcase.blogspot.comReading Louisa May Alcott A Biography by Madeleine Stern is part of my Louisa May Alcott Summer Challengeare you a part of this challenge and if so, how are you doing?

Click to Tweet & Share: LMA the rabid fan? See who she hero-worshipped and how she got more than she bargained for! http://wp.me/p125Rp-Um

Introducing “From the Garret”

This blog has certainly been a journey! When I first started, all I wanted to do was share my love of Louisa with other fans. I never thought I would grow to love reading and writing as much as I do. It’s been a creative renaissance!

Different writers’ blogs that I follow (Jeff Goins, Michael Hyatt, Jeannine Atkins) suggest that sharing what you write with others is an excellent way to grow as a writer. So I am taking the plunge with a new page on this site,From the Garret.

Free, downloadable PDF files

The pieces featured From the Garret are longer pieces longer than the typical blog post format. They are available to you for free in PDF format. All stories and essays are free to Simply click on the title of the story or essay to download. Not all writing will directly relate to Louisa May Alcott but all work is certainly inspired by her.

Your comments are welcome

Each story or essay will be presented as a blog post so that you can leave comments. All stories will be archived on the From the Garret page. Feedback, positive or negative, is appreciated (so long as it’s polite and constructive).

Citation of work

You can also cite my work, just please give full credit to the work (Title, author, date published) and contact me to let me know. The ego boost is nice! ;-)

Your original work will also be welcome

I will also feature stories, poems and essays from Louisa May Alcott is My Passion readers. Write to me to find out how your story can be considered for publication on this blog. Stories must relate to the subject matter of the blog or be inspired by Louisa May Alcott to be considered. Every so often I will issue a challenge for writing. Let’s share the wealth!

Here is my first essay, based upon The Glory Cloak which I have posted on before. Click on the title to download the file.

Game Changer How One Book Changed My Perspective on History

Based on a reading of The Glory Cloak by Patricia O’Brien
Submitted on June 26, 2012
Author: Susan Bailey
Format: Essay
Download PDF file

Can’t download the PDF? Write to Susan at louisamayalcottismypassion@gmail.com to have one sent to you.

Have you ever read a book that transformed your way of thinking? Did it teach you to probe, question and read between the lines? In this essay, I write about such a book, The Glory Cloak by Patricia O’Brien, and how this historical fiction novel of Louisa May Alcott and Clara Barton changed forever the way I view historical facts and how I read Little Women and other such quasi-autobiographical accounts by Alcott.

Happy reading! What did you think?

Click to Tweet and shareSusan Bailey of Louisa May Alcott is My Passion Blog has released an ebook, “Game Changer” – get it free! http://wp.me/p125Rp-10i

Are you passionate about Louisa May Alcott too?
Send an email to louisamayalcottismypassion@gmail.com
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Susan’s ebook, “Game Changer” is now available From the Garret – download for free!

Louisa May Alcott, scrapbook-style

I loved this scrapbook image of Louisa and wanted to share it with you. It comes from a cool website called Studio Girls Scrapbookgraphics and it’s a  public scrapbooking forum.

Are you passionate about Louisa May Alcott too?
Send an email to louisamayalcottismypassion@gmail.com
to subscribe, and never miss a post!
Facebook Louisa May Alcott is My Passion
More About Louisa on Twitter