Summer Conversational Series for Wednesday, July 15

Wednesday’s presentations proved to be lively, poignant and brain-busting!

gabrielle-jeannine-kristi

L to R, Gabrielle Donnelly, Jeannine Atkins and Kristi Martin

Gabrielle Donnelly, author of The Little Women Letters, spoke on Louisa’s trips to Europe in her presentation titled, “Our Foreign Correspondent Louisa May Alcott’s Travels Through Europe.” She read extensively from Shawl Straps (Aunt Jo’s Scrap-Bag) and had the room in stitches. Gabrielle has a unique quality for tapping into Louisa’s humor; she read descriptions of various people Louisa met on the train and the writing literally leaped off of the pages! She also offered wonderful insight regarding themes in Little Women and the complex relationship between Louisa and youngest sibling May.

little woman in blueJeannine Atkins continued on the theme of May with her presentation, “May Alcott Painting a Way Home.” Jeannine has written a splendid historical fiction novel about May which will be coming out this September; it is titled Little Woman in Blue. Her talk featured many of May’s sketches from Concord Sketches, a book that can only be viewed in the Special Collections at the Concord Public Library. She continued on the theme of sibling rivalry, focusing on the dynamic between older and younger sister. In a poignant ending to her talk, Jeannine read Louisa’s poem, “Our Madonna;” Jeannine was not the only one with a lump in her throat after that reading.

Kristi Martin presented a scholarly paper on “The Wilderness of Books Literary Concord,” drawing a history of how Concord came to be the home of so many distinguished authors, and how the homes of these writers became museums, attracting people from around the world. Kristi brings a unique experience to her work having been a tour guide at just about all the house museums in Concord. Her knowledge is vast and the presentation dense with wonderful information. Unfortunately my slow brain could not take notes fast enough so I only offer a general summary of this fine talk.

Here are my notes from Wednesday: notes for wednesday 7-15-15

Steven Burby was kind enough to send along his presentation that he gave on Monday; I will read it over on Friday and comment on it.

Unfortunately I cannot attend the Thursday presentation by John Matteson; if anyone has notes they wish to share please send them to me at louisamayalcottismypassion@gmail.com.

I do have a little surprise however which I will post tomorrow.

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Remember this painting of The Wayside where the Little Women actually grew up? Artist Joyce Pyka sends us an update

You may recall an artist’s rendition of The Wayside, originally named Hillside by Bronson Alcott after the home was purchased with Abba Alcott’s inheritance.

Although Orchard House is the physical setting for Little Women, artist Joyce Pyka, like many of us Alcott fans, knows that many of the childhood stories of the girls took place at Hillside.

Pyka has been revealing her envisioning of The Wayside with Meg, Jo, Beth, Amy and Laurie in various stages:

Little Women 10 26 2014 fixed by Joyce Pyka

dog

detail laurie

Here’s the latest version:

640-wayside clearer 3 31 2015

Pyka reports that the painting should be done by summer and yes, prints will be available for sale. Sign me up!

Here are previous blog posts on the painting.

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Update on Wayside/Little Women artist depiction by Joyce Pyka

Joyce Pyka, the artist depicting The Wayside in the context of Little Women (see previous post), has posted an update for her painting — check out the interesting new details she has added:

detail laurie

dog

Here is the painting with these sketches:

painting as of dec 2014

Check out her website for all the details.

Wayside, and Thoreau, as you’ve never seen them before; and some news

I came across two fascinating blog posts today that shed a new light on cherished Alcott/Concord lore.

Walden's Shore Henry David Thoreau and Nineteenth-Century ScienceThoreau and rocks

First of all, the Thoreau Society is running an interview with author Robert M. Thorson where he reveals something entire new about Thoreau.. It was discovered during his research for his book, Walden’s Shore: Henry David Thoreau and Nineteenth-Century Science about Thoreau, the self-taught physical scientist.

robert-thorson-150x150

Robert M. Thorson

Check out his discovery here.

Wayside or Orchard House?

Little Women‘s numerous readers know that Orchard House is the physical setting for the story of the March sisters. But do they know that next-door Wayside is where the action actually took place? (I know you do!)

Artist Joyce Pyka has been painting a folk art version of The Wayside, visualizing it as the home of the March sisters. She has a delightful blog post showing the progress of her work plus drawings of each sister. Remarking on Louisa May Alcott’s  extensive knowledgeable about flowers, she discusses those preferred by each sister and depicts them in the painting.

Here is how the painting appears so far:

Be sure and visit her blogpost to see a larger version of the painting and read about her progress. The drawings of the sisters are adorable!

Prints will be available when the painting is completed. It will be made available at http://pyka-joyce.artistwebsites.com/galleries.html  under her Folk Art Gallery.

News and Upcoming Posts

I am thisclose to finishing my first book and will be submitting it to the publisher around December 1. I will finally have some free time! I thank you for your patience with the scarcity of posts.

rose in bloomI wanted to announce that I am currently reading Rose in Bloom, have written my first post, and will begin posting as I get further into the book. I want to makes sure I post on a regular basis on this book since in the past I haven’t always been so faithful. I am very much enjoying Rose in Bloom so far and look forward to discussing it with you all.

 

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Boston is creating a Literary Cultural District: here are a couple of the places where Louisa May Alcott lived

I am very excited about this since I live an hour out of Boston. There are already many sites in Boston that are related to the Alcotts but having a literary cultural district is very cool. Here is more information about that effort: http://www.publishersweekly.com/pw/by-topic/digital/retailing/article/61917-boston-creating-a-literary-cultural-district-spotlight-on-new-england-2014.html

In a quote from the article, the idea grew from a fortuitous conversation:

“The idea for a literary district grew out of a conversation between GrubStreet executive director Eve Bridburg and MCC head Anita Walker when the former bemoaned the fact that even though there is a lot happening culturally in Boston, you don’t often hear about the writers. The goal is to provide a series of walks through Boston’s literary history, while supporting writers and publishers working today. It’s also about including all the literary efforts in the city under one umbrella. “We’re thinking about branding the work that everybody is doing so that there’s one place to look for the literary arts,” says Bridburg, who plans to create a website to go with the district. “There’s a lot going on [in Boston] and everybody’s working in their own little silos.””

There are already many sites in Boston that concern Louisa May Alcott. The Alcotts moved so many times in their lifetime that it would be almost impossible to gather all the addresses. We do know, however, that in 1853, they lived for a time on Pinckney Street:

October 2003 20 Pinkney Street, Boston where the Alcotts lived in 1853Photos by Kim Wells, October 2003, editor Domestic Goddesses http://www.womenwriters.net/domesticgoddess

October 2003 20 Pinkney Street, Boston where the Alcotts lived in 1853
Photos by Kim Wells, October 2003, editor Domestic Goddesses http://www.womenwriters.net/domesticgoddess

Pinckney Street boasts other literary residents: “Pinckney Street formed a literary row with the childhood home of Henry David Thoreau at #4, Louisa May Alcott at #20, and Nathaniel Hawthorne at #54.” (from the aforementioned article)

Here is a previous post about a visit to Pinckney Street.

And Louisa bought a fine home in Louisberg Square:

from "Recollections of Louisa May Alcott" by Maria S. Porter

from “Recollections of Louisa May Alcott” by Maria S. Porter

 

There are so many other landmarks – King’s Chapel where Abba and her family worshipped, the original site of Roberts Brothers which published Little Women and subsequent books by Louisa, and “The Old Corner Bookstore was the original site of the publishing company Ticknor & Fields, founded in 1832, which published Harriet Beecher Stowe, Emerson, Longfellow, and Thoreau. The Atlantic Monthly also got its start there in 1857.” (Ibid)

Such a wonderful way to tour Boston – can’t wait!

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Louisa May Alcott The Women Who Wrote Little Women by Julian Hawthorne

Check out this fascinating anecdote-rich article by an Alcott contemporary, Julian Hawthorne (son of Nathanial Hawthorne) Written in the 1920s he gives a unique perspective on the popularity of Little Women during the free-spirited flapper era. He also spills some gossip about he and Abby May. :-) Enjoy!

http://clickamericana.com/eras/1920s/louisa-may-alcott-the-woman-who-wrote-little-women-1922

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Tracing the steps of Little Women: Madeleine B. Stern’s brilliant analysis, part four: The All-American Novel makes a cherished dream come true

COVERLittle did Louisa May Alcott know that when she wrote Little Women, her classic book based upon her own family life and their “queer” adventures, she was writing the story that was on the heart of all Americans.

Universal family

It was time when American yearned for its own literature, its own family. The March family was quintessential New England and yet their story transcended New England, having, as Madeleine Stern put it, “a more universal reality than that of a single village.”

The emerging adolescent

Jessie Wilcox Smith Little WOmenCharacters were composites, real people sprinkled with fiction. For the first time teenaged readers met themselves: adolescent characters navigating through the daily trials and triumphs, emerging into adulthood.

Four different journeys

Meg begins her own family with John. Jo strikes out on her own as a working woman and writer, living far away from home New York City. Amy evolves into a woman of grace, leaving behind selfish impulses and eventually leading Laurie to his better self. Beth was not destined to enter the world of adults but left behind an example and a spirit that guided her sister Jo to a place where she could reconcile her ambitions with her love of family.

Universal home

The Wayside, then known as Hillside, drawn by Bronson Alcott in 1845.

The Wayside, then known as Hillside, drawn by Bronson Alcott in 1845.

Stern writes, “Then the families of the nation might open the door of Hillside to find not the Marches, but themselves waiting within. Under the roof of one New England home, they would see all the homes of America.”

Surviving manuscript

Writing at astonishing speed (completing one chapter each day), Louisa filled the lined blue papers with a story “that knew no bounds of geography, no limits of time.” Some of this manuscript survives, ready for viewing in the Special Collections room at the Concord Library.

Determined spinster

Louisa_May_AlcottPart two of Little Women, dubbed Good Wives, was written not at Orchard House but in Boston on Brookline Street. The demands of readers were great, such was the price of success, a success she had dreamed of since being a teenager herself. Yes, the girls would marry even though she wished that Jo could have remained like herself, a “literary spinster.” It was not from lack of suitors. George Bartlett, a fellow actor in the local theatricals, offered his help in reading the proofs of the first part of the book and his help was gratefully accepted. His attentions upon the “chronic old maid,” however were politely rebuffed.

A fancy hotel and a simple story

FileHotelBellevue-Boston-BlueBook1905.pngMoving with May into the new Bellevue Hotel on Beacon Street, Louisa continue work on the second half of the book while receiving her first royalties totally three hundred dollars for three thousand copies sold. Here she relived the pain of Lizzie’s death, brought Amy and Laurie together in a boat they would pull together and had Professor Bhaer serenade Jo with the song Louisa herself had sung for Mr. Emerson.

Dream come true

Stern writes, “Devoutly Louisa hoped that the new year of 1869 would bring to the Orchard House a happy harvesting from the tears and laughter she had sowed in the book where she had found her style at last.” It would come to pass with a harvest pressed down, shaken together, and running over, as it says in the scriptures. “The long-standing hurts were healed, the reception of the March family into the hearts of New England proved a timely restorative to one who had created that family.”

Dreams do come true (just ask any Red Sox fan!).

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