Little did Louisa May Alcott know that when she wrote Little Women, her classic book based upon her own family life and their “queer” adventures, she was writing the story that was on the heart of all Americans.
It was time when American yearned for its own literature, its own family. The March family was quintessential New England and yet their story transcended New England, having, as Madeleine Stern put it, “a more universal reality than that of a single village.”
The emerging adolescent
Characters were composites, real people sprinkled with fiction. For the first time teenaged readers met themselves: adolescent characters navigating through the daily trials and triumphs, emerging into adulthood.
Four different journeys
Meg begins her own family with John. Jo strikes out on her own as a working woman and writer, living far away from home New York City. Amy evolves into a woman of grace, leaving behind selfish impulses and eventually leading Laurie to his better self. Beth was not destined to enter the world of adults but left behind an example and a spirit that guided her sister Jo to a place where she could reconcile her ambitions with her love of family.
The Wayside, then known as Hillside, drawn by Bronson Alcott in 1845.
Stern writes, “Then the families of the nation might open the door of Hillside to find not the Marches, but themselves waiting within. Under the roof of one New England home, they would see all the homes of America.”
Writing at astonishing speed (completing one chapter each day), Louisa filled the lined blue papers with a story “that knew no bounds of geography, no limits of time.” Some of this manuscript survives, ready for viewing in the Special Collections room at the Concord Library.
Part two of Little Women, dubbed Good Wives, was written not at Orchard House but in Boston on Brookline Street. The demands of readers were great, such was the price of success, a success she had dreamed of since being a teenager herself. Yes, the girls would marry even though she wished that Jo could have remained like herself, a “literary spinster.” It was not from lack of suitors. George Bartlett, a fellow actor in the local theatricals, offered his help in reading the proofs of the first part of the book and his help was gratefully accepted. His attentions upon the “chronic old maid,” however were politely rebuffed.
A fancy hotel and a simple story
Moving with May into the new Bellevue Hotel on Beacon Street, Louisa continue work on the second half of the book while receiving her first royalties totally three hundred dollars for three thousand copies sold. Here she relived the pain of Lizzie’s death, brought Amy and Laurie together in a boat they would pull together and had Professor Bhaer serenade Jo with the song Louisa herself had sung for Mr. Emerson.
Dream come true
Stern writes, “Devoutly Louisa hoped that the new year of 1869 would bring to the Orchard House a happy harvesting from the tears and laughter she had sowed in the book where she had found her style at last.” It would come to pass with a harvest pressed down, shaken together, and running over, as it says in the scriptures. “The long-standing hurts were healed, the reception of the March family into the hearts of New England proved a timely restorative to one who had created that family.”
Dreams do come true (just ask any Red Sox fan!).
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