During my vacation this week I will be attending the Summer Conversational Series sponsored by Louisa May Alcott’s Orchard House. The theme is “Chaos, Cosmos, and the Oversoul” The Influence of Transcendental Philosophy on the Life and Writing of Louisa May Alcott. Speakers include Gabrielle Donnelly (author of The Little Women Letters), Eve LaPlante (author of Marmee & Louisa: The Untold Story of Louisa May Alcott and Her Mother and My Heart is Boundless: Writings of Abigail May Alcott, Louisa’s Mother), John Matteson (Eden’s Outcasts: The Story of Louisa May Alcott and Her Father) and many others from around the world.
Elegant Federal Colonial
I do have a day job and it’s in real estate. I work for an independent brokerage, Rutledge Properties in Wellesley, MA. I am not an agent; instead I support agents with marketing materials and advertising. I love my job because I get to see so many beautiful homes.
From a realtor’s perspective, “Bush,” the name given to the Emerson home is a pure joy. Originally built as a summer home for the Coolidge family, Emerson purchased the home in July of 1835 after marrying Lydia Jackson of Plymouth, MA. Anxious to make it a central meeting place for philosophers and thinkers, he spent money he had inherited from his first wife Ellen Tucker’s estate and landscaped the grounds which even today are lush, private and inviting.
I was taken by the high ceilings, well-proportioned rooms and large windows. The house was flooded with light and was adorned with beautiful period details including carved arches, custom bookshelves and molding. In 1872, the house nearly burned to the ground but thanks to the help of neighbors, it was saved, along with his valuable papers and books from the study.
Private museum, family-owned
“Bush” is still privately owned by the Emerson family and was opened as a museum in 1930. Most of the furniture belongs to the family. The study has been recreated since the original furnishings were moved across the street to the Concord Museum. The family, recognizing the worth of Waldo’s study, felt the furnishings would be safer from fire at the brick museum.
Encountering the spirit of Emerson
Upon entering the home, I was greeted by a tall staircase and long hallway. Waldo’s study was to the right which surprised me; I had assumed the parlor would be located there. In the study the tour guide showed us a picture of the room with Emerson in it, taken in the 1870s. Each person, including myself, took a long, lingering look at that photo, imagining Waldo sitting in his rocking chair writing or greeting guests.
My favorite rooms in the home were the dining room, the nursery (which was directly above the dining room) and the master bedroom (which contained a gorgeous eighteenth century high boy). Each of those rooms featured enhanced floor to ceiling bay or bow windows, added on to the house when it was repaired after the fire. The perfect half-moon-shaped bow window in the master bedroom overlooked the back yard. Each of us lingered in that part of the room, enjoying the lush, green views of trees and grape arbors planted by then-boarder Henry David Thoreau. I memorized every line and detail of that window and imagined myself thinking wonderful thoughts and writing great things in that setting.
The softer side of Henry David Thoreau
The nursery contained an extraordinary artifact, a dollhouse furnished and constructed for Lidian and Waldo’s children by Thoreau who boarded at the house for many years. Henry took a chest of drawers, removed the backs and then created windows with outdoor views fashioned from pictures out of a child’s storybook. He built much of the furniture: perfect chairs, tables, couches and beds. The dollhouse told a compelling story of a softer side to Thoreau, the one that loved children and understood so well what they enjoyed.
Hall of pictures
There were various pictures on the wall, drawings and photographs of children and family friends. The most compelling was a quite modern pose of Edith and Edward Emerson when they were around nine or ten. A beautiful crayon drawing of Ellen and Edith was displayed in the master bedroom. Ellen would not pose for a photograph so this is the only depiction of her as a young girl. A large portrait of her at forty-two can be seen in the parlor and another equally large painting of her in her sixties stands in the “Hall of Pictures” by the stairs.
Upon leaving the house my friends and I spent several minutes in the back yard, imagining Waldo walking the two miles to Walden Pond via a direct path from his garden. A very loud Brown Thrasher (who refused to show himself to this frustrated birder!) serenaded us from an ancient and unusual tree. A small rabbit kept us company and I hoped that the formidable cat I had spotted from the dining room window earlier would not trouble this little creature.
I now find my mind wandering back to that peaceful, lovely home time and time again. It was perfect beginning to a week devoted to Transcendentalism.
The New York Times featured a slide show of the interior of the home: http://www.nytimes.com/slideshow/2010/09/15/garden/0916emerson-slideshow.html
The pictures accompanied an article about a couple who were caretakers of the home for three years: http://www.nytimes.com/2010/09/16/garden/16emerson.html?pagewanted=all&_r=1&
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