Update on Wayside/Little Women artist depiction by Joyce Pyka

Joyce Pyka, the artist depicting The Wayside in the context of Little Women (see previous post), has posted an update for her painting — check out the interesting new details she has added:

detail laurie

dog

Here is the painting with these sketches:

painting as of dec 2014

Check out her website for all the details.

Part four of 4-part interview: Meet filmmaker and producer Justin King and hear his passion for Orchard House

In part three of this interview about Louisa May Alcott’s Orchard House, we meet the documentary’s producer and filmmaker, Justin King. Hear his motivation for making this film:

I wish to thank WCOM-FM for granting permission to rebroadcast this interview. It originally aired on October 1st on the “Courage Cocktail” hosted by Lee Anne McClymont.

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Host Lee Ann McClymont wrote a lovely sonnet to Louisa which I will close with. Thank you for your support of the campaign!

Louisa’s Dream

Kindred sister, in thy grace,
Help me birth a gentler race.
Place inside the meaning clear
Through our voice disband the fear.
Ford our way through wide and narrow
Guide our vision through bone and marrow
Still the noise and ply your craft
With sound and vision restore the draft
Till eventide the sea must rush
Let moonbeams sweetly whisper “hush.”
The end is near for family’s lost
In time suspended hope’s only cost
Restore the pledge to live in light
Godspeed your craft
With fortress might!

Sweetwood-Spring 2009
Hillsborough, North Carolina

Remember to #PledgeYourLove at
https://www.kickstarter.com/projects/632439913/orchard-house

And please, share these posts with everyone you know who loves Little Women and Louisa May Alcott!

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Remembering Louisa May Alcott through your pledge #PledgeYourLove

Over the next five days I will be posting video and audio featuring remembrances of Louisa May Alcott and her home, the Orchard House. You may know that Louisa May Alcott’s Orchard House is in the middle of a Kickstarter fundraising campaign. The goal is to raise $150,000 to fund a documentary film about the history and legacy of Orchard House.

Any of you who have visited Orchard House know,  it is more than a museum. It is a place of pilgrimage. We can feel the presence of the family from Louisa’s mood pillow in the parlor, to Anna’s grey silk wedding dress on Louisa’s bed. From Bronson’s architectural improvements and the large library in his study, to Marmee’s family china in the dining room and her comb in the master bedroom. We pause looking at Lizzie’s melodeon and marvel at May’s paintings and drawings not only hung on the walls, but painted right on the walls. Most of all, we stop in front of the little half moon desk where a classic was born, a book that has inspired the lives of millions of women from around the world for well over a century.

The posts I will put up Monday through Thursday of this week will feature a 4-part interview with the Executive Director of Louisa May Alcott’s Orchard House Jan Turnquist; plus we will hear from the producer and filmmaker Justin King as to what inspired him to make the film.

I am deeply grateful to Lee Anne MyClymont for granting permission to take her interview and present it over these next few days. You can find her podcast here: “Courage Cocktail” hosted by Lee Anne McClymont of WCOM LP 103.5 in Carrboro, North Carolina.

As a warm-up, I wish to present my own remembrance of Louisa May Alcott and her sister Lizzie, just to get you started:

Remember to #PledgeYourLove at
https://www.kickstarter.com/projects/632439913/orchard-house

And please, share these posts with everyone you know who loves Little Women and Louisa May Alcott!

To make sure you don’t miss these series of interviews, subscribe to the email list and never miss a post!

With only 17 days left in the campaign, let’s help Louisa May Alcott’s Orchard House make their goal!

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Elizabeth’s form of genius; Beth’s power in Little Women (guest post by Kristi Martin)

Warning: this is a long post but I believe, well worth the time. I was so fascinated when I first heard the presentation at the Summer Conversational Series that I opted not to take notes and just enjoy it!)

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Kristi Martin

At the recent Summer Conversational Series, Kristi Marti (tour guide de force; she has been a guide at nearly every major historical home in Concord) presented her paper on the genius exhibited in each of the Alcott sisters. Normally we don’t think of genius extending to the quieter sisters Anna and Elizabeth; Kristi presented a compelling argument in favor of Lizzie’s form of genius which extends in the character of Beth March in Little Women. Kristi was kind enough to send me a copy of her paper, a portion of which I am presenting here as a guest post.

From “Beth’s Stage-Struck!”: The Alcott Sisters and “the Difference Between Talent and Genius,” presented on Monday, July 14, 2014 at the Summer Conversational Series at Orchard House:

Surrounded by genius

560 kristi teaching2The daughters of Abigail and Amos Bronson Alcott were no strangers to “Genius.” Anna, Louisa, Elizabeth, and May were immersed within a community of New England’s most renowned literary and artistic intellects, with Lydia Maria Child, Elizabeth Palmer Peabody, Margaret Fuller, Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, and artist Washington Allston among their parents’ dignified and intimate friends. Indeed, Hawthorne and Emerson were the Alcott family’s sometime neighbors in Concord, with Thoreau living in the same town. Like the four muses, each of the four sisters possessed striking talents in different branches of the arts: Anna possessed a passion for theater, Louisa had a gift of words and expression, which took a literary bent; Elizabeth was a musician; and, the youngest, May, was an accomplished artist …

Henry David Thoreau, Lydia Marie Child, Nathaniel Hawthorne and Ralph Waldo Emerson

Henry David Thoreau, Lydia Marie Child, Nathaniel Hawthorne and Ralph Waldo Emerson

Kristi weaves her discussion of the Alcott sisters in with the fictional March sisters. Here she begins her discussion of Beth’s importance to the story, and the real life young woman Beth was based upon:

Beth’s unsung role in Little Women

jo and beth… But Jo does have a conscience. As Beth lay ill with scarlet fever, Jo tells Laurie, “Beth is my conscience, and I can’t give her up.” (Little Women, pg. 188) With Beth confined to her sick bed it becomes clear that quiet, shy, and domestic Beth has perhaps the largest sphere of influence in the novel. “Everyone missed Beth. The milkman, baker, grocer, and butcher… even those who knew her best were surprised to find how many friends shy little Beth had made.” (Little Women, pg. 186) As Jo witnessed Beth’s physical distress, she “learned to see the beauty and the sweetness of Beth’s nature, to feel how deep and tender a place she filled in all hearts, and to acknowledge the worth of Beth’s unselfish ambition to live for others, and make home happy by the simple virtues which all may possess, and which all should love and value more than talent, wealth, or beauty.” (Little Women, 185) Meek and too often taken for granted, I contend that Beth is in fact the most powerful character in the novel. Her influence is quiet, but potent. It is Beth who suggests the girls buy Christmas presents for Marmee, rather than themselves (Little Women, pg. 7) It is Beth who sanctions Laurie’s admittance into the Pickwick Club. “Yes, we ought to do it, even if we are afraid,” Beth advises her sisters, “’I say he may come…’ This spirited burst from Beth electrified the club…” and Laurie was voted in unanimously (Little Women, pg. 108). It is Beth who makes the invalid Frank laugh more than he has in “ever so long.” Amy boasts of her sister’s captivating qualities, “Beth is a very fastidious girl, when she likes to be…,” Amy, of course “meant ‘fascinating.” (Little Women, 104) Beth’s strength is both a moral power and a useful power.

Lizzie’s sense of humor

lizzie alcott2Alcott scholars have been disappointed in the archival material left by Elizabeth Alcott. Unassuming and private, Elizabeth’s writings are not overtly revelatory when compared to the voluminous journals and letters left by other members of her family. Her family too was troubled by her quiet evasiveness, her father complaining that she hid her “feelings in silence.” (Madelon Bedell, The Alcotts Biography of a Family, pg. 247). Family biographer Bedell wrote, “One might seek forever in those childish pages for a word or even an intimation of a wish, a dream, a longing, a reaction, or a feeling, and never find it.” (Bedell, pg. 248) This, however, is somewhat of an exaggeration. Alcott biographer John Matteson refers to “spirited arguments” Elizabeth had with a friend over vegetarianism, but he too concludes that Lizzie seemed “never to have wanted more from life than a quiet, comfortable smallness.” (John Matteson, Eden’s Outcasts: The Story of Louisa May Alcott and Her Father, pg 186) Yet, Susan Bailey has uncovered some of Lizzie’s letters in the archives of Houghton Library, which are more telling. There is a passive aggressiveness in some of her letters to her father, the yearning for attention and affection. Other family members’ letters intimate her depression during her final illness, the “natural rebellion” that Louisa hints at in Little Women as well. Lizzie possessed a resiliency and the Alcottian humor of her mother and sisters, too. As she was dying in 1858, Louisa wrote in her journal that Lizzie was trying to keep her sister’s spirits up (The Journals, pg. 88). Louisa also delighted in Lizzie’s letters, telling Anna that Lizzie “writes me the funniest notes.” (The Selected Letters, pg. 9). This sense of humor comes through strongly in one of Lizzie’s extant letters written to her family, while she and her mother Abba were traveling for Lizzie’s health. Lizzie teasingly admonishes her father that if “he grows thinner on her account … I shant write any more letters … and he will not know how I am. It must seem so good not to have to run every minute to my bell or hush all the time. I know you miss your little skeleton very much don’t you.[sic]”. Telling of her journey, she recalled a woman who “put her head” into the carriage “very saucily to inquire if I was an invalid and where going if I had been sick long.” She seems to have disliked the impertinent concern of some: “Miss Hinkley came in, and was horridly shocked at my devouring meat … and stared her big eyes at me, she will probably come to deliver another lecture soon. I don’t care for the old cactus a bit,” (Letter, August 6, 1857; see previous post with entire letter) sounding like Louisa.

Was Lizzie actually like Beth?

beth and jo march from little womenDistinctly unlike Beth in Little Women, who “was too shy to enjoy society,” (Little Women, pg. 380) at the seashore, Lizzie was ecstatic at the idea of visiting the ocean. She wrote, “Joy, Joy, we are going to Lynn.” Far from not wanting a world beyond her home, she declared that she was “not homesick one grain,” but enjoying herself at the Sewall home in Boston. She reported that she played checkers in the evening, and went often to Boston Common in company with Tom, which was “delightful.” In this letter, Lizzie did not seem to shrink from society, but rather to observe those around her. As with the woman in the carriage, Lizzie wrote of her cousin Mary: “She is a queer girl and spends such funny days, mending old sheets and looking at me while I eat my food…” Those around Elizabeth seem to have been concerned and solicitous for her comfort and welfare. (Letter, August 6, 1857) Like Beth, Lizzie seemed to make friends wherever she went. Louisa wrote after the funeral that the family had longed for their uncle Samuel May or Theodore Parker to preside over the service, remarking that Parker “loved Lizzie and always missed her face when she was not at church.” (The Letters, 33)

Making sense out of death

Coming to terms with the inevitable

Coming to terms with the inevitable

In Little Women, Beth is able to die peacefully, content in the knowledge that “her life had not been useless.” (Little Women, pg. 427) She entreated Jo to take her place in the household, assuring her, “you’ll be happier in doing that than writing splendid books or seeing the world.” (Little Women, pg. 428) Both Beth and Lizzie’s death is presented as “the good death.” Like “Sylvia” in Alcott’s Transcendental novel Moods, Beth/Lizzie “proved that she did know how to die,” a Thoreauvian principle, that Alcott envisioned as “strength purified and perfected…,” an “unconscious power, which we call influence of character .. which is the nobelest.” Alcott, Louisa May. Moods. (Ed. Sarah Elbert. New Brunswick, NJ: Rutgers University Press, 1999), pg. 203) Both Beth and Sylvia’s deaths, perform an Emersonian compensation, in which the true purpose is gained within a seeming loss. It is Beth, the domestic character, who is Jo’s conscious. Beth thus comes to represent true genius in the novel, which in Alcottian terms is the higher conscious that she embodies. In giving writing advice to an admirer, Louisa quoted Michael Angelo: “Genius is infinite patience.” (The Selected Letters, pg. 231) It is Beth/Lizzie who exemplified infinite patience, both in the novel and real life. When Jo finally has success with her writing, it is only when she writes a story with “truth in it,” and she credits her parents and Beth for the goodness that is in her book. (Little Women, pg. 446)

How do you feel about Beth’s role in Little Women? Did she possess genius? Were you surprised at the sauciness of the real life Elizabeth?

Kristi also had many interesting things to say about May Alcott which I will present in the next post.

Summer Conversational Series 2014 – “Navigating the Vortex: Creative Genius in the Time of the Alcotts” – Is it Talent or Genius?

Jan Turnquist, Executive Director, introducing the speaker.

Jan Turnquist, Executive Director, introducing the speaker.

I am grateful to be able to attend again the annual Summer Conversational Series at Louisa May Alcott’s Orchard House this year. The theme concerns talent versus genius, and the abundance of genius that existed in Concord, Massachusetts in the 19th century.

I was not able to take in all five days of the series but I will present the speakers that I was fortunate enough to see.

Was Louisa a genius?

Was Louisa May Alcott a genius or merely a crackerjack professional writer? Was she both? These questions and more were explored during Monday’s session.

Cathlin Davis, Ph.D

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Cathlin Davis, Ph.D on Talent versus Genius

The first speaker was a perennial favorite, Dr. Cathlin Davis, professor of Liberal Studies at California State University, Stanislaus. Dr. Davis probably knows Louisa’s juvenile canon better than anyone with a particular emphasis on her numerous short stories.

Louisa’s breakthrough work in children’s literature

Dr. Davis is passionate about elevating children’s literature to the level of respect it deserves by highlighting its most prominent authors. Dr. Davis maintained in her presentation “Is it Talent or Genius?” that Louisa’s unique genius was the ability to get inside the mind of the child and voice that child’s thoughts, feelings, hopes and fears. Before Louisa, children’s literature presented all-too-perfect children presenting moral teaching through stilted dialog. Dr. Davis compared a sample from Nathanial Hawthorne’s Tanglewood Tales of a twelve year old’s conversation (stiff, formal, full of long words and complex sentences) to Louisa’s An Old-Fashioned Girl featuring childish conversation laced with slang and grammatical errors; in other words, the way children of that era really talked.

Examples from Louisa’s stories

Dr. Davis spelled out the qualities of talent and of genius, displaying them on a poster (see photo). She then took several examples from Louisa’s books and short stories to illustrate. These included Amy and Laurie from Little Women, Rose, Charlie, Phoebe and Mac from Rose in Bloom, Psyche and her little sister from the short story “Pysche’s Art,” Clara from “A Bright Idea” (from Aunt Jo’s Scrap-Bag, Volume V), and Diana and Persis. As you can see from the photo, she listed who she thought had talent and who possessed genius.

560 talent versus genius

 

Louisa herself is on that list.

Louisa’s genius was her genuine love of children, her commitment to truthfulness and accuracy, and her passion. She respected children, never writing “down” to them. These qualities were instantly recognized by her adoring public with the first publication of volume one of Little Women.

Much to find in Louisa’s stories

Dr. Davis concluded that Louisa wrote extensively on the subjects of talent and genius. She remarked that preparing for this presentation, she realized that Rose in Bloom is not just about romance but about discovering one’s talent, determining whether or not it is genius, and using it to benefit others. While Louisa did often focus on the fine art talents of music, acting, dancing and painting, she also pointed out those talents which often go unnoticed – the talents for helping others which Rose displayed so well in the story.

True confession

rose in bloomI have a confession to make which has probably been obvious to you who read this blog regularly: I enjoy writing about Louisa more than writing about her books and stories. It is an odd disconnect, one that I am seeking to correct. Having listened to Dr. Davis’s presentation (and later having the pleasure of conversing with her over dinner), I have a better sense of what to look for when I read Louisa’s juvenile works. Dr. Davis is convinced that in spite of the infamous quote (which she is loath to use) of writing “moral pap for the young,” Louisa was in fact proud of her juvenile writing and poured herself into her writing.

You all of course have always known that. I felt that way about Little Women despite Louisa’s protestations about having to write it. Perhaps the author doth protest too much?

Needless to say, I have much catching up to do and a pleasant task it will be!

More to come …

In my next post I will present more about the other presenters in Monday’s session.

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“I Will Remember You:” a video and musical tribute to Louisa May Alcott and her sister Lizzie

louisa and lizzieI created this video in tribute to these two special ladies in our lives. In a previous post I had mentioned how Louisa and Lizzie had changed my life; thus I put together this song and video in tribute.

Enjoy and spread it around!

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Introducing beautiful new British editions of Louisa May Alcott classics

Hesperus Press, an independent London-based publisher is reissuing the most beloved of Louisa May Alcott’s works on June 27th  with beautiful new covers:

hesperus press little women collection 2014

british little women good wives

british little men jo's boys

These would make a wonderful addition to any Little Women collection. Visit www.hesperuspress.com for more information; you can follow @hesperuspress on Twitter.

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