Peeks into May Alcott’s Paris

susanwbailey:

Jeannine Atkins’ historical novel on May Alcott called Little Woman in Blue: A Novel of May Alcott is now available from Amazon. She posted a wonderful write-up on May’s time in Paris with artist peers such as Mary Cassatt through books she used to research her book. Be sure and order Jeannine’s book on Amazon and remind yourself to write a review—it will give her book a great boost on Amazon and let others know about it.

Gabrielle Donnelly, author of The Little Women Letters is writing a review as we speak and I will add my thoughts too. Let’s just say we are really excited! In the meantime, enjoy this peak into May’s past in Gay Paree!

Originally posted on Views from a Window Seat:

During the years of writing Little Woman in Blue: A Novel of May Alcott, I was delighted to catch sight of May wherever I could. Most often this was in biographies that focused on her sister Louisa May Alcott and sometimes their parents, Abigail and Bronson. I also came to know May from memoirs of nineteenth century neighbors, such as novelist Julian Hawthorne and sculptor Daniel Chester French. I was delighted to find May in two novels by contemporary women that feature Mary Cassatt. Both May Alcott and Mary Cassatt were expatriate painters in Paris at the same time and became friends. I liked to imagine walking in on one of the Thursday night soirées at the Cassatt family home in Montmartre, or listening in as May and Mary rode in a horse-drawn carriage through an elegant park.

lydia

One book that gives a fictional peek into their lives in 1870’s…

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“Loves Mankind, Hard on People” – Bronson Alcott, Mr. Keating, and the Dangers of Putting Ideals before Students

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susanwbailey:

This an amazing post from one of our readers, a young educator who spoke for the first time at the Summer Conversational Series this summer. She certainly made me rethink “Dead Poet’s Society,” one of my favorite movies.

Originally posted on edreverie:

Orchard HouseI have spent the last week at Louisa May Alcott’s Orchard House in Concord, Massachusetts, attending their annual Summer Conversational Series. (As an aside, it is my second year attending the SCS, and it’s an amazing experience. If you haven’t been, and you area fan of the Alcott’s, transcendentalism, philosophy, or education, you really need to go!)

Anyway, there are SO many things I have taken from this week that I will probably be writing about for a long while. However, there is a certain phrase that stuck with me especially, and is where I will begin the first of many SCS 2015 reflections.

At Thursday’s SCS session, John Matteson, Pulitzer prize-winning author of Eden’s Outcasts, took questions and led discussion on “all things Alcott.” Bronson Alcott became a subject of conversation here, and he was subject to criticism (as Bronson Alcott seems to always be) for…

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Yet another big announcement, and you can be a part of it!

I’ve been sitting on some pretty exciting news.

Along with the release of River of Grace this October, I also have another book in the works, commissioned by a different publisher. And this one is all about Louisa May Alcott! The book will be launched in January of 2016.

louisa cover

The publisher is ACTA; this book is part of a series known as the Literary Portals to Prayer. The idea is to feature passages from the classics and pair them with bible verses which will then stimulate prayer and meditation. The bible verses come from a modern translation of the bible known as The Message. Authors such as Charles Dickens, Herman Melville, William Shakespeare, Hans Christian Anderson, Jane Austen and Elizabeth McGaskell will be featured, along with Louisa May Alcott.

The invitation to write this book came directly as a result of Louisa May Alcott is My Passion. YOU made this possible and I am so grateful.

I am presently combing through Louisa May Alcott’s books and journals to find the perfect fifty passages to complete my volume in this series.

And this is where you come in.

Many of you know Louisa’s canon far better than I do. I am making inroads but we all know how prolific Louisa was!

I could really use your help!

I would eagerly welcome your suggestions on passages for use in the Louisa May Alcott Literary Portal to Prayer.

Please post your suggestion through your comment, or send me an email at louisamayalcottismypassion@gmail.com with your passage(s).

If I use your passage, I will credit and thank you by name in the introduction I will write for the book!

The rules are simple:

  • The passage must contain between 73 and 275 words; poetry is definitely welcome and cannot exceed 30 lines.
  • The passage must contain some kind of spiritual theme, i.e. love of God, welcoming the stranger, feeding the hungry, personal growth, a personal revelation, etc. The religious nature of the passage does not have to be overt; we want the passage to stimulate thought and inspire ponderance.
  • Cite the the name of the work and chapter number and name, and cut and paste the passage into your comment or email.
  • Deadline for submission is Monday, August 31. Post your passage(s) through your comment, or send me an email at louisamayalcottismypassion@gmail.com with your passage(s).
  • First come, first serve. If duplicate passages are suggested, the first person who suggests it will be the owner of that passage.

I would particularly welcome passages from Louisa’s short stories from Aunt Jo’s Scrap-Bag, Lulu’s Library, other compilations, or any stories published in St. Nicholas magazine. I don’t have the time to go through all of her short stories but should it be a specialty of yours, I would welcome your submissions.

Thinking about reading this weekend or over your vacation? Find some passages and send them along. I am eager to see your suggestions!

Please share this around with your friends on Facebook and Twitter:

All submissions are welcome. Cut and paste this into your Facebook page or click to tweet & share:

Know of a quote from #LouisaMayAlcott relating to spirituality? Help out @susanbailey and be part of a new book. http://wp.me/p125Rp-1T1

And thank you again for your support of this blog which has resulted in this opportunity.

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Louisa May Alcott as grief counselor (on the fifth anniversary of this blog)

My obsession with Louisa played out in a rather odd way. Never a big reader until a few years ago, I’d find myself reading a biographical account of Louisa’s life (rather than read her own words) every few years. This began after reading Martha Saxton’s biography. After the reading (usually done during the autumn months) I would make a pilgrimage to Orchard House. That would satisfy my urge for a year or two, and then I’d repeat the process.

No longer a casual interest

lost summer 190My review of the latest biography on Louisa May AlcottAfter my mother’s passing in 2010, that passion for Louisa was ramped up in a big way. My dear husband had given me copies of The Lost Summer of Louisa May Alcott by Kelly O’Connor McNees and Louisa May Alcott The Woman Behind Little Women by Harriet Reisen months before my mother died but it was impossible to read them while she was ill. A couple of weeks after she was gone, I was ready for something new  and started reading. Coincidentally the PBS documentary of the same title by Reisen and Nancy Porter came out at the same time.

Getting to Louisa’s writing

From an 1897 edition of Alcott's "Hospital Sketches" historicaldigression.com

From an 1897 edition of Alcott’s “Hospital Sketches”
historicaldigression.com

Reisen’s love of Louisa’s canon finally got me to read Louisa’s books for the first time. In River of Grace I write,

It began not with Little Women, but with Hospital Sketches, a thinly veiled memoir of [Louisa’s] experience as a Civil War nurse. Her moving description of the death of a virtuous soldier named John Suhre and how she had nursed him acted as a soothing balm on my grief. She described death as noble, and her belief in the afterlife was unmistakable. Where once I had felt a kinship with Louisa because of our mutually shared mood swings, deep tempers, and passions for our art; now I identified with the woman who found sacredness and hope in death just as I had. While Louisa wrote mainly to support her family, it seemed that the act of creating helped her to work through her own grief after the tragic passing of her younger sister Elizabeth whom she called her “conscience” and “spiritual guide.” (from Chapter 4 of River of Grace, published by Ave Maria Press)

This time I determined that my little reading binge would end with reading books and visiting Louisa’s home. I had to find other people as obsessed as I was with Louisa. It was just too much fun discussing my passion (which I did for an hour on the phone with Harriet Reisen; God bless her for indulging a total stranger!).

The seed was planted and Louisa May Alcott is My Passion was born on this day, August 18, in 2010.

Little did I know as I plunged deeper in to my passion that Louisa was acting as my guide through my grief. I had not been able cry over my mother because I was numb inside. I could not even remember anything about her except as she had been during the last few months: sick, ravaged, terrified and demented. I had been in battle mode for the last two years and that feeling continued for another year after she died.

Remembering Mommy

My mother at eighteen, just before entering Wellesley College in 1938

My mother at eighteen, just before entering Wellesley College in 1938

Louisa helped to draw me close to my mother again especially as I thumbed through her own copies of Little Women and Aunt Jo’s Scrapbag (Vol. 5) with her signed name plate. Slowly I recalled the vibrant, intelligent woman with “pizzaz” (as my brother-in-law called it). Mommy was curious and loved to learn. She poured over books and audited classes at her alma mater, Wellesley College. She was funny, animated (with a voice like a parrot), thoughtful and kind, and always interesting.

Beyond consolation

But more was happening as I read about and then wrote about Louisa: this passion was resurrecting my then-dormant creative life. Louisa’s own grief journey, beginning with the death of Lizzie, the marriage of Anna, and then continuing with the soldiers she had nursed (especially John Suhre), and how it had transformed her life and writing, helped me to understand what was happening:

I believe that the caring for and losing her sister acted as a catalyst to Louisa May Alcott’s transformation as an artist and a woman. The creative gifts of storytelling, play acting, and humor that she had used to minister to Lizzie were subsequently shared with countless soldiers, helping them to while away their lonely hours of pain. Letters sent home to family told the stories of the wounded. These stories, laced with humor and told with urgent realism and heart, compiled Hospital Sketches, a book which resonated with thousands of readers anxious for those first-hand accounts. Louisa’s creative gifts were honed and perfected through her painful journey. This nineteenth century author now was helping me to understand my own grief. She, like me, seemed to find an energy in grief and took action to work through it. We shared a common spirituality even though our religious backgrounds were quite different (I being Catholic, she influenced by her father’s Transcendentalism). To her, God was a loving Father and faithful Friend who revealed himself in nature and in everyday life. I too related to God in this fashion, seeing him in the natural world and in people around me, feeling him through the love of family and friends, tasting and being nourished by him in the sacred bread and the wine, and discerning him through prayer, the scriptures and reflection. (from Chapter 4 of River of Grace, published by Ave Maria Press)

One thing leads to another

Before I knew it, I was feeling the urge to learn more about writing. This led to dreams of crafting a book … and the rest, as they say, is history.

Has Louisa acted as a grief counselor for you? What do you think of her writing on death? Does it strike a chord with you?

To all of you

THANK YOU for your readership and especially for your friendship over these past 5 years. I have had to pleasure of meeting many of you in person and yes, we gabbed about Louisa and will continue to do so. :-) This passion never grows old but only grows deeper, thanks to all of you!

Seems appropriate on this, the fifth anniversary of this blog, to share this video one more time with you where I express in music and images my love of the Alcott family and my gratitude to Louisa for being my grief counselor and writing guide:

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Why are you obsessed with Louisa? Why am I?

River of Grace is available for pre-order through Amazon.com.

I pondered that question during the two years spent writing my book, River of Grace. Because Louisa was an important part of this book, I had to figure out first, why I was obsessed with her, and second, how she has acted as my grief counselor, and as a result, guiding me back into my creative life.

Early attraction

I knew that as a child I was attracted to tomboy Louy. In River of Grace I wrote,

Louisa had captured my imagination as a girl. I was introduced to her through a story of her life given to me by my aunt. I felt a kindred spirit with the tomboy who put on plays with her sisters in the family barn, struggled with a bad temper, wrote stories in the apple tree, and longed for a room of her own. As an adult I identified with Louisa’s severe mood swings and how she lost herself in her writing, falling into what she called her “vortex.” Having experienced many of these things myself, I found that reading about Louisa helped me to understand myself a bit better. (from Chapter 4 of River of Grace, published by Ave Maria Press)

joan howard story of lma 190That children’s biography was Joan Howard’s The Story of Louisa May Alcott. It was wonderful meeting another little girl who loved to put on plays and write, and had bad temper tantrums, just like me. And she craved time alone, cherishing her sacred spaces, just like me.

Meeting the adult Louisa

cover of Louisa May: A Modern Biography of Louisa May Alcott by Martha Saxon

cover of Louisa May: A Modern Biography of Louisa May Alcott by Martha Saxon

My first adult encounter with Louisa was Martha Saxton’s biography, Louisa May Alcott: A Modern Biography. As much as Saxton has been criticized for her scholarship, that book taught me a lot about depression and its relationship to anger (depression being anger turned inward). The mood swings I experienced in my twenties were epic; at the same time I was at the peak of my musical creativity and songwriting. Knowing there was another young woman who had experienced that made me feel a little less alone in the world,

Going to the source

Louisa May Alcott Her Life, Letters and JournalsReading Louisa’s own words certainly helps in figuring it all out. I am currently going through Ednah Dow Cheney’s book, Louisa May Alcott: Her Life, Letters and Journals. While I don’t care all that much for Cheney’s writing (too disjointed), I am enjoying hearing Louisa speak for herself.

The misery …

I had to smile at this passage from Louisa’s journal:

John Brown’s daughters came to board, and upset my plans of rest and writing when the report and the sewing were done. I had my fit of woe up garret on the fat rag-bag, and then put my papers away, and fell to work at housekeeping. I think disappointment must be good for me, I get so much of it; and the constant thumping Fate gives me may be a mellowing process; so I shall be a ripe and sweet old pippin before I die.

I am not the only one who throws a hissy fit when my creative plans are interrupted. I’ll bet she vented out loud a lot in that garret! And I’m willing to bet she suffered from aggravation as much as I do. No wonder she had headaches (I do too!).

And the pleasure …

This was during her first draft of Moods:

All sorts of fun was going on; but I didn’t care if the world returned to chaos if I and my inkstand only “lit” in the same place.

It was very pleasant and queer while it lasted; but after three weeks of it I found that my mind was too rampant for my body, as my head was dizzy, legs shaky, and no sleep would come.

Oh yeah. Totally get that! Especially the first part.

I’ll continue on this vein in the next post where I will explain how Louisa became my grief counselor.

Why are you obsessed with Louisa?

Louisa’s first letter in honor of her baby sister – original handwritten letter from the Houghton Library

alcott sisters

I visited the Houghton Library in mid July and was greeted with the most wonderful surprise: Houghton is now granting permission to post the actual handwritten letters from the Alcott family!

I can’t tell you how excited I am to be able to share these letters with you! I have photographed probably over a hundred pages of letters (mostly of other family members; I plan on going through Louisa’s at a later date).

It seems most appropriate to begin by posting (possibly) Louisa’s very first letter, along with Anna and Lizzie, in honor of the birth of their new baby sister Abbie May. Here is the letter:

Letter from Anna, Louisa and Lizzie Alcott to their mother Abba in honor of their sister Abbie May's birth.

Letter from Anna, Louisa and Lizzie Alcott to their mother Abba in honor of their sister Abbie May’s birth.

And here is the transcription provided by the library:

anna, louisa, lizzie to abba july 1840

More to come in future posts. We are all very grateful to the Houghton Library for the privilege of posting these letters. Seeing the actual handwriting makes a real difference!

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Louisa May Alcott too?
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New book in the works on Little Women

susanwbailey:

Anne Boyd Rioux, author and a member of the Louisa May Alcott Society, has just been given a grant to write her new book called Reading Little Women.: The History of an American Classic. As you will see from her post, she was quoted in a recent article in the Washington Post about making scholarly writing more accessible to the public (I posted this article on my blog’s Facebook page). Anne has an email list you can join to keep up to date with this exciting project. I look forward to hearing more!

Originally posted on Anne Boyd Rioux:

Last week I learned that I will be receiving a grant from the National Endowment for the Humanities to write my next book, Reading Little Women: The History of an American Classic. The grant comes from the NEH’s new Public Scholar program, which generated some media attention, including this Washington Post article, in which I am quoted. I am thrilled to be able to begin work on a project that is very close to my heart.

Little Women--2

I have been inspired by two recent books that can best be described as the “biography” of a book: Michael Gorra’s The Portrait of a Novel (about Henry James’s The Portrait of a Lady) and Rebecca Mead’s My Life in Middlemarch. They were both highly enjoyable accounts of how those classic novels were written and how they impacted the authors’ and others’ lives. As Little Women nears its 150th birthday in 2018, I…

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